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    <title>[Teste]Portal UFG</title>
    <description>[Teste]Portal UFG</description>
    <itunes:summary>[Teste]Portal UFG</itunes:summary>
    <link>https://portalufg.cercomp.ufg.br/news</link>
    <item>
      <title>Apresentação</title>
      <description>&lt;br/&gt;&lt;br/&gt;&lt;p&gt;d.cmdkcmejkwecmwoicmwddiocmwdomcwioec&lt;/p&gt;&lt;br/&gt;&lt;a target="_blank" href="/p/4589-apresentacao"&gt;Original&lt;/a&gt;</description>
      <pubDate>Wed, 23 May 2018 15:16:42 -0300</pubDate>
      <link>https://portalufg.cercomp.ufg.br/n/106524-apresentacao</link>
      <guid>https://portalufg.cercomp.ufg.br/n/106524-apresentacao</guid>
    </item>
    <item>
      <title>Clima Futuro</title>
      <description>&lt;br/&gt;&lt;br/&gt;&lt;p&gt;&lt;span style="font-size: large;"&gt;&lt;a href="//files.cercomp.ufg.br/weby/up/456/o/CCSM_RCP26_BIOREGIONS.zip"&gt;Modelo clim&amp;aacute;tico CCSM para o cen&amp;aacute;rio RCP26&lt;/a&gt;&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style="font-size: large;"&gt;&lt;a href="//files.cercomp.ufg.br/weby/up/456/o/CCSM_RCP45_BIOREGIONS.zip"&gt;Modelo clim&amp;aacute;tico CCSM para o cen&amp;aacute;rio RCP45&lt;/a&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href="//files.cercomp.ufg.br/weby/up/456/o/CCSM_RCP60_BIOREGIONS.zip"&gt;&lt;span style="font-size: large;"&gt;Modelo clim&amp;aacute;tico CCSM para o cen&amp;aacute;rio RCP60&lt;/span&gt;&lt;/a&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href="//files.cercomp.ufg.br/weby/up/456/o/CCSM_RPC85_BIOREGIONS.zip"&gt;&lt;span style="font-size: large;"&gt;Modelo clim&amp;aacute;tico CCSM para o cen&amp;aacute;rio RCP85&lt;/span&gt;&lt;/a&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style="font-size: large;"&gt;&lt;a href="//files.cercomp.ufg.br/weby/up/456/o/MRI_RCP26_BIOREGIONS.zip"&gt;Modelo clim&amp;aacute;tico MRI para o cen&amp;aacute;rio RCP26&lt;/a&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href="//files.cercomp.ufg.br/weby/up/456/o/MRI_RCP45_BIOREGIONS.zip"&gt;&lt;span style="font-size: large;"&gt;Modelo clim&amp;aacute;tico MRI para o cen&amp;aacute;rio RCP45&lt;/span&gt;&lt;/a&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href="//files.cercomp.ufg.br/weby/up/456/o/MRI_RCP60_BIOREGIONS.zip"&gt;&lt;span style="font-size: large;"&gt;Modelo clim&amp;aacute;tico MRI para o cen&amp;aacute;rio RCP60&lt;/span&gt;&lt;/a&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href="//files.cercomp.ufg.br/weby/up/456/o/MRI_RCP80_BIOREGIONS.zip"&gt;&lt;span style="font-size: large;"&gt;&lt;span&gt;Modelo clim&amp;aacute;tico MRI para o cen&amp;aacute;rio RCP85&lt;/span&gt;&lt;/span&gt;&lt;/a&gt;&lt;/p&gt;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;</description>
      <pubDate>Wed, 23 May 2018 15:16:42 -0300</pubDate>
      <link>https://portalufg.cercomp.ufg.br/n/106523-clima-futuro</link>
      <guid>https://portalufg.cercomp.ufg.br/n/106523-clima-futuro</guid>
    </item>
    <item>
      <title>Teste</title>
      <description>&lt;img width="200" alt="logo2" title="logo2" src="http://portalufg.cercomp.ufg.brhttps://files.cercomp.ufg.br/weby/up/456/o/logo-s.png?1391006591" /&gt;&lt;br/&gt;&lt;br/&gt;</description>
      <pubDate>Wed, 29 Jan 2014 12:43:19 -0200</pubDate>
      <link>https://portalufg.cercomp.ufg.br/n/66076-teste</link>
      <guid>https://portalufg.cercomp.ufg.br/n/66076-teste</guid>
      <enclosure url="https://files.cercomp.ufg.br/weby/up/456/o/logo-s.png?1391006591" length="1603" type="image/png"/>
    </item>
    <item>
      <title>Dissertações</title>
      <description>&lt;br/&gt;&lt;br/&gt;&lt;table border="1" cellspacing="0" cellpadding="0"&gt;
&lt;tbody&gt;
&lt;tr&gt;
&lt;td colspan="3" align="left" valign="top"&gt;&lt;span&gt;Ano de defesa: 2013&lt;/span&gt;&lt;br /&gt;
&lt;table border="1" cellspacing="0" cellpadding="5"&gt;
&lt;tbody&gt;
&lt;tr&gt;
&lt;td width="35%" height="24"&gt;&lt;strong&gt;ALUNO&lt;/strong&gt;&lt;/td&gt;
&lt;td align="left"&gt;&lt;strong&gt;DISSERTA&amp;Ccedil;&amp;Atilde;O&lt;/strong&gt;&lt;/td&gt;
&lt;td align="center"&gt;&amp;nbsp;&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td&gt;
&lt;p&gt;Ana Paola dos Reis&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;SENTIDOS DESENHADOS NO INTANG&amp;Iacute;VEL: UM OLHAR SOBRE ILUSTRA&amp;Ccedil;&amp;Atilde;O DE MODA E VISUALIDADES&lt;/p&gt;
&lt;/td&gt;
&lt;td align="center"&gt;&lt;span&gt;&lt;a href="//files.cercomp.ufg.br/weby/up/459/o/arquivo1.pdf" target="_blank"&gt;&lt;img src="//files.cercomp.ufg.br/weby/up/459/o/pdf.pdf" alt="" width="21" height="21" /&gt;&lt;/a&gt;&lt;/span&gt;&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td&gt;
&lt;p&gt;B&amp;aacute;rbara Lyra Chaves&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;ATRAPALHANDO AS SIGNIFIC&amp;Acirc;NCIAS: O PERSONAL STYLING NA CONTEMPORANEIDADE&lt;/p&gt;
&lt;/td&gt;
&lt;td align="center"&gt;&lt;span&gt;&lt;a href="//files.cercomp.ufg.br/weby/up/459/o/arquivo1.pdf" target="_blank"&gt;&lt;img src="//files.cercomp.ufg.br/weby/up/459/o/pdf.pdf" alt="" width="21" height="21" /&gt;&lt;/a&gt;&lt;/span&gt;&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td&gt;
&lt;p&gt;C&amp;eacute;lia Mari Gondo&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;MATRIZES DE PL&amp;Aacute;STICO - INVERS&amp;Otilde;ES &amp;amp; REFLEX&amp;Otilde;ES&lt;/p&gt;
&lt;/td&gt;
&lt;td align="center"&gt;&lt;span&gt;&lt;a href="//files.cercomp.ufg.br/weby/up/459/o/arquivo1.pdf" target="_blank"&gt;&lt;img src="//files.cercomp.ufg.br/weby/up/459/o/pdf.pdf" alt="" width="21" height="21" /&gt;&lt;/a&gt;&lt;/span&gt;&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td&gt;
&lt;p&gt;Edson Ferreira De Freitas Junior&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;DIANTE DA DOR DOS OUTROS: O CONCEITO DE DOCUMENTO NA FOTOGRAFIA FORENSE&lt;/p&gt;
&lt;/td&gt;
&lt;td align="center"&gt;&lt;span&gt;&lt;a href="//files.cercomp.ufg.br/weby/up/459/o/arquivo1.pdf" target="_blank"&gt;&lt;img src="//files.cercomp.ufg.br/weby/up/459/o/pdf.pdf" alt="" width="21" height="21" /&gt;&lt;/a&gt;&lt;/span&gt;&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td&gt;
&lt;p&gt;Fernanda Machado de Souza&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;WEB ARTE, EXPERI&amp;Ecirc;NCIAS COLABORATIVAS E O DESENVOLVIMENTO DA HQTR&amp;Ocirc;NICA INTERMINATUM&lt;/p&gt;
&lt;/td&gt;
&lt;td align="center"&gt;&lt;span&gt;&lt;a href="//files.cercomp.ufg.br/weby/up/459/o/arquivo1.pdf" target="_blank"&gt;&lt;img src="//files.cercomp.ufg.br/weby/up/459/o/pdf.pdf" alt="" width="21" height="21" /&gt;&lt;/a&gt;&lt;/span&gt;&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td&gt;
&lt;p&gt;Fl&amp;aacute;via Christina Leite Brand&amp;atilde;o&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;CINEMA E ANIMA&amp;Ccedil;&amp;Atilde;O: PO&amp;Eacute;TICAS DE UMA VIV&amp;Ecirc;NCIA&lt;/p&gt;
&lt;/td&gt;
&lt;td align="center"&gt;&lt;span&gt;&lt;a href="//files.cercomp.ufg.br/weby/up/459/o/arquivo1.pdf" target="_blank"&gt;&lt;img src="//files.cercomp.ufg.br/weby/up/459/o/pdf.pdf" alt="" width="21" height="21" /&gt;&lt;/a&gt;&lt;/span&gt;&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td&gt;
&lt;p&gt;Il&amp;iacute;ada Damasceno Pereira&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;HIBRIDISMOS E MESCLAS CULTURAIS NA CONSTRU&amp;Ccedil;&amp;Atilde;O DE IDENTIDADES E SUBJETIVIDADES EM CAMPEONATOS DE COSPLAY&lt;/p&gt;
&lt;/td&gt;
&lt;td align="center"&gt;&lt;span&gt;&lt;a href="//files.cercomp.ufg.br/weby/up/459/o/arquivo1.pdf" target="_blank"&gt;&lt;img src="//files.cercomp.ufg.br/weby/up/459/o/pdf.pdf" alt="" width="21" height="21" /&gt;&lt;/a&gt;&lt;/span&gt;&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td&gt;
&lt;p&gt;J&amp;uacute;lia Mariano Ferreira&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;"TIA, ME ENSINA A TIRAR FOTO?" SABERES PARTILHADOS, VIS&amp;Otilde;ES PLURAIS DE UM ASSENTAMENTO RURAL&lt;/p&gt;
&lt;/td&gt;
&lt;td align="center"&gt;&lt;span&gt;&lt;a href="//files.cercomp.ufg.br/weby/up/459/o/arquivo1.pdf" target="_blank"&gt;&lt;img src="//files.cercomp.ufg.br/weby/up/459/o/pdf.pdf" alt="" width="21" height="21" /&gt;&lt;/a&gt;&lt;/span&gt;&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td&gt;
&lt;p&gt;K&amp;aacute;rita Garcia Soares&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;FIGURINO FORA DE CENA: UM ESTUDO SOBRE A CONSTITUI&amp;Ccedil;&amp;Atilde;O DE ACERVOS DE FIGURINOS TEATRAIS - (resumo)&lt;/p&gt;
&lt;/td&gt;
&lt;td align="center"&gt;&lt;span&gt;&lt;a href="//files.cercomp.ufg.br/weby/up/459/o/arquivo1.pdf" target="_blank"&gt;&lt;img src="//files.cercomp.ufg.br/weby/up/459/o/pdf.pdf" alt="" width="21" height="21" /&gt;&lt;/a&gt;&lt;/span&gt;&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td&gt;
&lt;p&gt;Marcelo Forte&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;ATRAVESSANDO TERRIT&amp;Oacute;RIOS: FAZENDO-SE DOCENTE-ARTISTA NO PROCESSO DE FORMA&amp;Ccedil;&amp;Atilde;O&lt;/p&gt;
&lt;/td&gt;
&lt;td align="center"&gt;&lt;span&gt;&lt;a href="//files.cercomp.ufg.br/weby/up/459/o/arquivo1.pdf" target="_blank"&gt;&lt;img src="//files.cercomp.ufg.br/weby/up/459/o/pdf.pdf" alt="" width="21" height="21" /&gt;&lt;/a&gt;&lt;/span&gt;&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td&gt;
&lt;p&gt;Matheus Moura Silva&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;PROCESSOS CRIATIVOS DE HIST&amp;Oacute;RIAS EM QUADRINHOS PO&amp;Eacute;TICO-FILOS&amp;Oacute;FICAS: INVESTIGA&amp;Ccedil;&amp;Atilde;O TE&amp;Oacute;RICA E PRODU&amp;Ccedil;&amp;Atilde;O PO&amp;Eacute;TICA&lt;/p&gt;
&lt;/td&gt;
&lt;td align="center"&gt;&lt;span&gt;&lt;a href="//files.cercomp.ufg.br/weby/up/459/o/arquivo1.pdf" target="_blank"&gt;&lt;img src="//files.cercomp.ufg.br/weby/up/459/o/pdf.pdf" alt="" width="21" height="21" /&gt;&lt;/a&gt;&lt;/span&gt;&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td&gt;
&lt;p&gt;Renato Cirino Machado Alves Pereira&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;BRINCA COMIGO: OS SUJEITOS IMAG&amp;Eacute;TICOS E SUAS SENSIBILIDADES PROJETADAS&lt;/p&gt;
&lt;/td&gt;
&lt;td align="center"&gt;&lt;span&gt;&lt;a href="//files.cercomp.ufg.br/weby/up/459/o/arquivo1.pdf" target="_blank"&gt;&lt;img src="//files.cercomp.ufg.br/weby/up/459/o/pdf.pdf" alt="" width="21" height="21" /&gt;&lt;/a&gt;&lt;/span&gt;&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td&gt;
&lt;p&gt;Virg&amp;iacute;nia Perini Peralta Cunha&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;COTIDIANO, IMAGEM E EXPERI&amp;Ecirc;NCIA - UMA NARRATIVA ESCOLAR CONTEMPOR&amp;Acirc;NEA&lt;/p&gt;
&lt;/td&gt;
&lt;td align="center"&gt;&lt;span&gt;&lt;a href="//files.cercomp.ufg.br/weby/up/459/o/arquivo1.pdf" target="_blank"&gt;&lt;img src="//files.cercomp.ufg.br/weby/up/459/o/pdf.pdf" alt="" width="21" height="21" /&gt;&lt;/a&gt;&lt;/span&gt;&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td&gt;
&lt;p&gt;Wladimir Silva Machado&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;DO PODRINHO AO VINTAGE: A VISUALIDADE NOS BLOGS DE MODA E A PUBLICIDADE EM IMAGENS DE LOOK DO DIA&lt;/p&gt;
&lt;/td&gt;
&lt;td align="center"&gt;&lt;span&gt;&lt;a href="//files.cercomp.ufg.br/weby/up/459/o/arquivo1.pdf" target="_blank"&gt;&lt;img src="//files.cercomp.ufg.br/weby/up/459/o/pdf.pdf" alt="" width="21" height="21" /&gt;&lt;/a&gt;&lt;/span&gt;&lt;/td&gt;
&lt;/tr&gt;
&lt;/tbody&gt;
&lt;/table&gt;
&lt;span&gt;Ano de defesa: 2012&lt;/span&gt;&lt;br /&gt;
&lt;table border="1" cellspacing="0" cellpadding="5"&gt;
&lt;tbody&gt;
&lt;tr&gt;
&lt;td width="35%" height="24"&gt;&lt;strong&gt;ALUNO&lt;/strong&gt;&lt;/td&gt;
&lt;td align="left"&gt;&lt;strong&gt;DISSERTA&amp;Ccedil;&amp;Atilde;O&lt;/strong&gt;&lt;/td&gt;
&lt;td align="center"&gt;&amp;nbsp;&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td&gt;
&lt;p&gt;Aline Oliveira Temerloglou Monteiro&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;PARA AL&amp;Eacute;M DO &amp;ldquo;TRAJE DE CRIOULA&amp;rdquo;: UM ESTUDO SOBRE MATERIALIDADE E VISUALIDADE EM SAIAS ESTAMPADAS DA BAHIA OITOCENTISTA&lt;/p&gt;
&lt;/td&gt;
&lt;td align="center"&gt;&lt;span&gt;&lt;a href="//files.cercomp.ufg.br/weby/up/459/o/arquivo1.pdf" target="_blank"&gt;&lt;img src="//files.cercomp.ufg.br/weby/up/459/o/pdf.pdf" alt="" width="21" height="21" /&gt;&lt;/a&gt;&lt;/span&gt;&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td&gt;
&lt;p&gt;Allex Rodrigo Medrado Ara&amp;uacute;jo&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;ENTRE ARTISTAS, CINEASTAS E SUJEITOS DESVIANTES, A QUEST&amp;Atilde;O DO OLHAR EDUCADO&lt;/p&gt;
&lt;/td&gt;
&lt;td align="center"&gt;&lt;span&gt;&lt;a href="//files.cercomp.ufg.br/weby/up/459/o/arquivo1.pdf" target="_blank"&gt;&lt;img src="//files.cercomp.ufg.br/weby/up/459/o/pdf.pdf" alt="" width="21" height="21" /&gt;&lt;/a&gt;&lt;/span&gt;&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td&gt;
&lt;p&gt;Aurisberg Leite Matutino&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;CAMINHOS PARA VER, SE VER E SER VISTO: O GRUPO DE TEATRO VENV&amp;Ecirc; PARANGOL&amp;Eacute;&lt;/p&gt;
&lt;/td&gt;
&lt;td align="center"&gt;&lt;span&gt;&lt;a href="//files.cercomp.ufg.br/weby/up/459/o/arquivo1.pdf" target="_blank"&gt;&lt;img src="//files.cercomp.ufg.br/weby/up/459/o/pdf.pdf" alt="" width="21" height="21" /&gt;&lt;/a&gt;&lt;/span&gt;&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td&gt;
&lt;p&gt;Glayce Rocha Santos Coimbra&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;A MORTE SEVERINA EM C&amp;Acirc;NDIDO PORTINARI E EM JO&amp;Atilde;O CABRAL DE MELO NETO&lt;/p&gt;
&lt;/td&gt;
&lt;td align="center"&gt;&lt;span&gt;&lt;a href="//files.cercomp.ufg.br/weby/up/459/o/arquivo1.pdf" target="_blank"&gt;&lt;img src="//files.cercomp.ufg.br/weby/up/459/o/pdf.pdf" alt="" width="21" height="21" /&gt;&lt;/a&gt;&lt;/span&gt;&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td&gt;
&lt;p&gt;Guilherme Mendon&amp;ccedil;a de Souza&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;CINEMA EXPANDIDO: UMA PERSPECTIVA INTERMIDI&amp;Aacute;TICA&lt;/p&gt;
&lt;/td&gt;
&lt;td align="center"&gt;&lt;span&gt;&lt;a href="//files.cercomp.ufg.br/weby/up/459/o/arquivo1.pdf" target="_blank"&gt;&lt;img src="//files.cercomp.ufg.br/weby/up/459/o/pdf.pdf" alt="" width="21" height="21" /&gt;&lt;/a&gt;&lt;/span&gt;&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td&gt;
&lt;p&gt;Humberto Pinheiro Lopes&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;CHAFURDOS DAS C&amp;Oacute;PIAS: HIST&amp;Oacute;RIAS DA MODA COM BANDIDOS E MOCINHAS, NOBRES E PLEBEUS&lt;/p&gt;
&lt;/td&gt;
&lt;td align="center"&gt;&lt;span&gt;&lt;a href="//files.cercomp.ufg.br/weby/up/459/o/arquivo1.pdf" target="_blank"&gt;&lt;img src="//files.cercomp.ufg.br/weby/up/459/o/pdf.pdf" alt="" width="21" height="21" /&gt;&lt;/a&gt;&lt;/span&gt;&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td&gt;
&lt;p&gt;Jordana In&amp;aacute;cio de Almeida Prado&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;HQTR&amp;Ocirc;NICAS E REALIDADE AUMENTADA (RA): novas potencialidades narrativas&lt;/p&gt;
&lt;/td&gt;
&lt;td align="center"&gt;&lt;span&gt;&lt;a href="//files.cercomp.ufg.br/weby/up/459/o/arquivo1.pdf" target="_blank"&gt;&lt;img src="//files.cercomp.ufg.br/weby/up/459/o/pdf.pdf" alt="" width="21" height="21" /&gt;&lt;/a&gt;&lt;/span&gt;&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td&gt;
&lt;p&gt;Luciana Miranda de Carvalho&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;AN&amp;Aacute;LISE E DESENVOLVIMENTO DE UMA NARRATIVA F&amp;Iacute;LMICA A PARTIR DO DISCURSO FOTOGR&amp;Aacute;FICO: CHRIS MARKER COMO REFERENCIAL.&lt;/p&gt;
&lt;/td&gt;
&lt;td align="center"&gt;&lt;span&gt;&lt;a href="//files.cercomp.ufg.br/weby/up/459/o/arquivo1.pdf" target="_blank"&gt;&lt;img src="//files.cercomp.ufg.br/weby/up/459/o/pdf.pdf" alt="" width="21" height="21" /&gt;&lt;/a&gt;&lt;/span&gt;&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td&gt;
&lt;p&gt;Maur&amp;iacute;cio Rem&amp;iacute;gio Viana&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;DESAPROPRIANDO O CURR&amp;Iacute;CULO: IMAGEM, PR&amp;Aacute;TICA EDUCATIVA E EXPERI&amp;Ecirc;NCIA VIVIDA NO MOVIMENTO ANARCOPUNK&lt;/p&gt;
&lt;/td&gt;
&lt;td align="center"&gt;&lt;span&gt;&lt;a href="//files.cercomp.ufg.br/weby/up/459/o/arquivo1.pdf" target="_blank"&gt;&lt;img src="//files.cercomp.ufg.br/weby/up/459/o/pdf.pdf" alt="" width="21" height="21" /&gt;&lt;/a&gt;&lt;/span&gt;&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td&gt;
&lt;p&gt;Pollyanna de Oliveira Brito Melo&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;RESIGNIFICANDO IDENTIDADES CULTURAIS: A RELA&amp;Ccedil;&amp;Atilde;O DA COMUNIDADE DE SERRAN&amp;Oacute;POLIS COM AS IMAGENS RUPESTRES DA POUSADA DAS ARARAS&lt;/p&gt;
&lt;/td&gt;
&lt;td align="center"&gt;&lt;span&gt;&lt;a href="//files.cercomp.ufg.br/weby/up/459/o/arquivo1.pdf" target="_blank"&gt;&lt;img src="//files.cercomp.ufg.br/weby/up/459/o/pdf.pdf" alt="" width="21" height="21" /&gt;&lt;/a&gt;&lt;/span&gt;&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td&gt;
&lt;p&gt;Renato Fonseca Ferreira&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;JORGE BRAGA E MARIOSAN: UMA AN&amp;Aacute;LISE DAS CHARGES POL&amp;Iacute;TICAS PUBLICADAS NO JORNAL O POPULAR EM GOI&amp;Acirc;NIA (2008-2009)&lt;/p&gt;
&lt;/td&gt;
&lt;td align="center"&gt;&lt;span&gt;&lt;a href="//files.cercomp.ufg.br/weby/up/459/o/arquivo1.pdf" target="_blank"&gt;&lt;img src="//files.cercomp.ufg.br/weby/up/459/o/pdf.pdf" alt="" width="21" height="21" /&gt;&lt;/a&gt;&lt;/span&gt;&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td&gt;
&lt;p&gt;Rog&amp;eacute;rio Justino Flori&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;SEMEANDO MODOS DE ENSINO E APRENDIZAGEM DE MODA - EXPERI&amp;Ecirc;NCIAS DE EST&amp;Aacute;GIO COMO QUEST&amp;Atilde;O&lt;/p&gt;
&lt;/td&gt;
&lt;td align="center"&gt;&lt;span&gt;&lt;a href="//files.cercomp.ufg.br/weby/up/459/o/arquivo1.pdf" target="_blank"&gt;&lt;img src="//files.cercomp.ufg.br/weby/up/459/o/pdf.pdf" alt="" width="21" height="21" /&gt;&lt;/a&gt;&lt;/span&gt;&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td&gt;
&lt;p&gt;Tales Gubes Vaz&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;PEDAGOGIA QUEER, CULTURA VISUAL E DISCURSOS SOBRE (HOMO)SEXUALIDADES EM DOIS CURSOS DE EXTENS&amp;Atilde;O ONLINE&lt;/p&gt;
&lt;/td&gt;
&lt;td align="center"&gt;&lt;span&gt;&lt;a href="//files.cercomp.ufg.br/weby/up/459/o/arquivo1.pdf" target="_blank"&gt;&lt;img src="//files.cercomp.ufg.br/weby/up/459/o/pdf.pdf" alt="" width="21" height="21" /&gt;&lt;/a&gt;&lt;/span&gt;&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td&gt;
&lt;p&gt;Vin&amp;iacute;cius Borges Figueiredo&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;DI&amp;Aacute;RIO DE LUTO: PO&amp;Eacute;TICAS DA MEM&amp;Oacute;RIA&lt;/p&gt;
&lt;/td&gt;
&lt;td align="center"&gt;&lt;span&gt;&lt;a href="//files.cercomp.ufg.br/weby/up/459/o/arquivo1.pdf" target="_blank"&gt;&lt;img src="//files.cercomp.ufg.br/weby/up/459/o/pdf.pdf" alt="" width="21" height="21" /&gt;&lt;/a&gt;&lt;/span&gt;&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td&gt;
&lt;p&gt;Vinicios Kabral Ribeiro&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;ENGORDURANDO O MUNDO: O CORPO DE FERNANDA MAGALH&amp;Atilde;ES E AS PO&amp;Eacute;TICAS DA TRANSGRESS&amp;Atilde;O&lt;/p&gt;
&lt;/td&gt;
&lt;td align="center"&gt;&lt;span&gt;&lt;a href="//files.cercomp.ufg.br/weby/up/459/o/arquivo1.pdf" target="_blank"&gt;&lt;img src="//files.cercomp.ufg.br/weby/up/459/o/pdf.pdf" alt="" width="21" height="21" /&gt;&lt;/a&gt;&lt;/span&gt;&lt;/td&gt;
&lt;/tr&gt;
&lt;/tbody&gt;
&lt;/table&gt;
&lt;span&gt;Ano de defesa: 2011&lt;/span&gt;&lt;br /&gt;
&lt;table border="1" cellspacing="0" cellpadding="5"&gt;
&lt;tbody&gt;
&lt;tr&gt;
&lt;td width="35%" height="24"&gt;&lt;strong&gt;ALUNO&lt;/strong&gt;&lt;/td&gt;
&lt;td align="left"&gt;&lt;strong&gt;DISSERTA&amp;Ccedil;&amp;Atilde;O&lt;/strong&gt;&lt;/td&gt;
&lt;td align="center"&gt;&amp;nbsp;&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td&gt;
&lt;p&gt;Alexandre Guimar&amp;atilde;es&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;ESCOLAS FLUTUANTES, SUJEITOS TRANSAPRENDENTES&lt;/p&gt;
&lt;/td&gt;
&lt;td align="center"&gt;&lt;span&gt;&lt;a href="//files.cercomp.ufg.br/weby/up/459/o/arquivo1.pdf" target="_blank"&gt;&lt;img src="//files.cercomp.ufg.br/weby/up/459/o/pdf.pdf" alt="" width="21" height="21" /&gt;&lt;/a&gt;&lt;/span&gt;&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td&gt;
&lt;p&gt;Ana Paula Vilela Soares&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;NARRATIVAS DE MODA: ENTRE AS RENDAS DE UM TURISTA APRENDIZ E OS AVESSOS DE RIOBALDO.&lt;/p&gt;
&lt;/td&gt;
&lt;td align="center"&gt;&lt;span&gt;&lt;a href="//files.cercomp.ufg.br/weby/up/459/o/arquivo1.pdf" target="_blank"&gt;&lt;img src="//files.cercomp.ufg.br/weby/up/459/o/pdf.pdf" alt="" width="21" height="21" /&gt;&lt;/a&gt;&lt;/span&gt;&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td&gt;
&lt;p&gt;Cl&amp;aacute;udio Aleixo Rocha&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;G&amp;Ecirc;NESE, DESENVOLVIMENTO E PROSPEC&amp;Ccedil;&amp;Otilde;ES DA ANIMA&amp;Ccedil;&amp;Atilde;O INTERATIVA AMBIENTADA NA INTERNET&lt;/p&gt;
&lt;/td&gt;
&lt;td align="center"&gt;&lt;span&gt;&lt;a href="//files.cercomp.ufg.br/weby/up/459/o/arquivo1.pdf" target="_blank"&gt;&lt;img src="//files.cercomp.ufg.br/weby/up/459/o/pdf.pdf" alt="" width="21" height="21" /&gt;&lt;/a&gt;&lt;/span&gt;&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td&gt;
&lt;p&gt;Gabriel Lyra Chaves&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;NARRAGONIA 3.0 Fic&amp;ccedil;&amp;atilde;o Cient&amp;iacute;fica e Tecnognose em Experimenta&amp;ccedil;&amp;otilde;es Narrativas Gr&amp;aacute;ficas&lt;/p&gt;
&lt;/td&gt;
&lt;td align="center"&gt;&lt;span&gt;&lt;a href="//files.cercomp.ufg.br/weby/up/459/o/arquivo1.pdf" target="_blank"&gt;&lt;img src="//files.cercomp.ufg.br/weby/up/459/o/pdf.pdf" alt="" width="21" height="21" /&gt;&lt;/a&gt;&lt;/span&gt;&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td&gt;
&lt;p&gt;Genilda Alexandria&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;NARRATIVAS DE PATRIM&amp;Ocirc;NIO E PERCEP&amp;Ccedil;&amp;Otilde;ES CULTURAIS SOB A &amp;Oacute;TICA DA CULTURA VISUAL&lt;/p&gt;
&lt;/td&gt;
&lt;td align="center"&gt;&lt;span&gt;&lt;a href="//files.cercomp.ufg.br/weby/up/459/o/arquivo1.pdf" target="_blank"&gt;&lt;img src="//files.cercomp.ufg.br/weby/up/459/o/pdf.pdf" alt="" width="21" height="21" /&gt;&lt;/a&gt;&lt;/span&gt;&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td&gt;
&lt;p&gt;Gildo Pereira Teixeira&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;DESDOBRAMENTOS DA ESCULTURA MODERNA EM GOI&amp;Acirc;NIA A PARTIR DAS OBRAS DE GUSTAV RITTER: INFLU&amp;Ecirc;NCIAS E CONTEXTOS COM A ESCULTURA ABSTRATA (1950-1970)&lt;/p&gt;
&lt;/td&gt;
&lt;td align="center"&gt;&lt;span&gt;&lt;a href="//files.cercomp.ufg.br/weby/up/459/o/arquivo1.pdf" target="_blank"&gt;&lt;img src="//files.cercomp.ufg.br/weby/up/459/o/pdf.pdf" alt="" width="21" height="21" /&gt;&lt;/a&gt;&lt;/span&gt;&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td&gt;
&lt;p&gt;Luciana Hidemi Santana Nomura&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;BIOARTE BRASILEIRA E VIDA ARTIFICIAL: INVESTIGA&amp;Ccedil;&amp;Atilde;O TE&amp;Oacute;RICA E PR&amp;Aacute;TICA ART&amp;Iacute;STICA&lt;/p&gt;
&lt;/td&gt;
&lt;td align="center"&gt;&lt;span&gt;&lt;a href="//files.cercomp.ufg.br/weby/up/459/o/arquivo1.pdf" target="_blank"&gt;&lt;img src="//files.cercomp.ufg.br/weby/up/459/o/pdf.pdf" alt="" width="21" height="21" /&gt;&lt;/a&gt;&lt;/span&gt;&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td&gt;
&lt;p&gt;M&amp;aacute;rio Mendes Cavalcante&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;ULISSES ENTRE AS ARTES VISUAIS E A LITERATURA. UM ESTUDO DE OBRAS DE JOS&amp;Eacute; ROBERTO AGUILAR E LENIR DE MIRANDA&lt;/p&gt;
&lt;/td&gt;
&lt;td align="center"&gt;&lt;span&gt;&lt;a href="//files.cercomp.ufg.br/weby/up/459/o/arquivo1.pdf" target="_blank"&gt;&lt;img src="//files.cercomp.ufg.br/weby/up/459/o/pdf.pdf" alt="" width="21" height="21" /&gt;&lt;/a&gt;&lt;/span&gt;&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td&gt;
&lt;p&gt;Maristela Abadia Fernandes Novaes&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;CAMINHO DAS PEDRAS: UMA RESSIGNIFICA&amp;Ccedil;&amp;Atilde;O DO OLHAR E DA EXPERI&amp;Ecirc;NCIA NO PROCESSO DE CONSTRU&amp;Ccedil;&amp;Atilde;O DE ROUPAS&lt;/p&gt;
&lt;/td&gt;
&lt;td align="center"&gt;&lt;span&gt;&lt;a href="//files.cercomp.ufg.br/weby/up/459/o/arquivo1.pdf" target="_blank"&gt;&lt;img src="//files.cercomp.ufg.br/weby/up/459/o/pdf.pdf" alt="" width="21" height="21" /&gt;&lt;/a&gt;&lt;/span&gt;&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td&gt;
&lt;p&gt;Marla Cardoso Oliveira Cunha&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;&amp;ldquo;VOU TE CONTAR UMA HIST&amp;Oacute;RIA!&amp;rdquo; ESTUDO A PARTIR DO FILME SIME&amp;Atilde;O, O BO&amp;Ecirc;MIO, DE JO&amp;Atilde;O BENNIO&lt;/p&gt;
&lt;/td&gt;
&lt;td align="center"&gt;&lt;span&gt;&lt;a href="//files.cercomp.ufg.br/weby/up/459/o/arquivo1.pdf" target="_blank"&gt;&lt;img src="//files.cercomp.ufg.br/weby/up/459/o/pdf.pdf" alt="" width="21" height="21" /&gt;&lt;/a&gt;&lt;/span&gt;&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td&gt;
&lt;p&gt;Pablo Petit Passos S&amp;eacute;rvio&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;BIRDMAN, EDUCA&amp;Ccedil;&amp;Atilde;O DA CULTURA VISUAL E DIFEREN&amp;Ccedil;A CULTURAL&lt;/p&gt;
&lt;/td&gt;
&lt;td align="center"&gt;&lt;span&gt;&lt;a href="//files.cercomp.ufg.br/weby/up/459/o/arquivo1.pdf" target="_blank"&gt;&lt;img src="//files.cercomp.ufg.br/weby/up/459/o/pdf.pdf" alt="" width="21" height="21" /&gt;&lt;/a&gt;&lt;/span&gt;&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td&gt;
&lt;p&gt;Rafael Castanheira Pedroso de Moraes&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;VISUALIDADES AMAZ&amp;Ocirc;NICAS: A FOTOGRAFIA ENTRE O DOCUMENTO E A EXPRESS&amp;Atilde;O&lt;/p&gt;
&lt;/td&gt;
&lt;td align="center"&gt;&lt;span&gt;&lt;a href="//files.cercomp.ufg.br/weby/up/459/o/arquivo1.pdf" target="_blank"&gt;&lt;img src="//files.cercomp.ufg.br/weby/up/459/o/pdf.pdf" alt="" width="21" height="21" /&gt;&lt;/a&gt;&lt;/span&gt;&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td&gt;
&lt;p&gt;Silvia Carla Marques Costa&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;SER PROFESSOR/A: UM ESTUDO DE REPRESENTA&amp;Ccedil;&amp;Otilde;ES ORAIS E VISUAIS DE UM GRUPO DE LICENCIADOS DA UNIFAP&lt;/p&gt;
&lt;/td&gt;
&lt;td align="center"&gt;&lt;span&gt;&lt;a href="//files.cercomp.ufg.br/weby/up/459/o/arquivo1.pdf" target="_blank"&gt;&lt;img src="//files.cercomp.ufg.br/weby/up/459/o/pdf.pdf" alt="" width="21" height="21" /&gt;&lt;/a&gt;&lt;/span&gt;&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td&gt;
&lt;p&gt;Vandimar Marques Damas&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;&amp;ldquo;EU J&amp;Aacute; ME TORNEI IMAGEM &amp;rdquo;: A RELA&amp;Ccedil;&amp;Atilde;O DO V&amp;Iacute;DEO E A FOTOGRAFIA COM O XAMANISMO, CANIBALISMO E FEITI&amp;Ccedil;ARIA&lt;/p&gt;
&lt;/td&gt;
&lt;td align="center"&gt;&lt;span&gt;&lt;a href="//files.cercomp.ufg.br/weby/up/459/o/arquivo1.pdf" target="_blank"&gt;&lt;img src="//files.cercomp.ufg.br/weby/up/459/o/pdf.pdf" alt="" width="21" height="21" /&gt;&lt;/a&gt;&lt;/span&gt;&lt;/td&gt;
&lt;/tr&gt;
&lt;/tbody&gt;
&lt;/table&gt;
&lt;span&gt;Ano de defesa: 2010&lt;/span&gt;&lt;br /&gt;
&lt;table border="1" cellspacing="0" cellpadding="5"&gt;
&lt;tbody&gt;
&lt;tr&gt;
&lt;td width="35%" height="24"&gt;&lt;strong&gt;ALUNO&lt;/strong&gt;&lt;/td&gt;
&lt;td align="left"&gt;&lt;strong&gt;DISSERTA&amp;Ccedil;&amp;Atilde;O&lt;/strong&gt;&lt;/td&gt;
&lt;td align="center"&gt;&amp;nbsp;&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td&gt;
&lt;p&gt;Bruno Galiza Gama Lyra&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;VIDEOGAMES E INTERFACES: REPRESENTA&amp;Ccedil;&amp;Atilde;O E EXPERI&amp;Ecirc;NCIA&lt;/p&gt;
&lt;/td&gt;
&lt;td align="center"&gt;&lt;span&gt;&lt;a href="//files.cercomp.ufg.br/weby/up/459/o/arquivo1.pdf" target="_blank"&gt;&lt;img src="//files.cercomp.ufg.br/weby/up/459/o/pdf.pdf" alt="" width="21" height="21" /&gt;&lt;/a&gt;&lt;/span&gt;&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td&gt;
&lt;p&gt;Douglas da Silva Barbosa&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;A ENUNCIA&amp;Ccedil;&amp;Atilde;O E A REFLEXIVIDADE NO CINEMA DOCUMENT&amp;Aacute;RIO: APROXIMA&amp;Ccedil;&amp;Otilde;ES TE&amp;Oacute;RICAS, FILMOGR&amp;Aacute;FICAS E UMA REALIZA&amp;Ccedil;&amp;Atilde;O&lt;/p&gt;
&lt;/td&gt;
&lt;td align="center"&gt;&lt;span&gt;&lt;a href="//files.cercomp.ufg.br/weby/up/459/o/arquivo1.pdf" target="_blank"&gt;&lt;img src="//files.cercomp.ufg.br/weby/up/459/o/pdf.pdf" alt="" width="21" height="21" /&gt;&lt;/a&gt;&lt;/span&gt;&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td&gt;
&lt;p&gt;Fl&amp;aacute;vio Gomes de Oliveira&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;PANORAMA E PROPOSI&amp;Ccedil;&amp;Otilde;ES DA ANIMA&amp;Ccedil;&amp;Atilde;O EM STOP MOTION&lt;/p&gt;
&lt;/td&gt;
&lt;td align="center"&gt;&lt;span&gt;&lt;a href="//files.cercomp.ufg.br/weby/up/459/o/arquivo1.pdf" target="_blank"&gt;&lt;img src="//files.cercomp.ufg.br/weby/up/459/o/pdf.pdf" alt="" width="21" height="21" /&gt;&lt;/a&gt;&lt;/span&gt;&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td&gt;
&lt;p&gt;Get&amp;uacute;lio Corr&amp;ecirc;a Chartier&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;MEM&amp;Oacute;RIAS DO BRINCAR E CONSTRU&amp;Ccedil;&amp;Atilde;O DE SUBJETIVIDADES: UMA EXPERI&amp;Ecirc;NCIA COM ALUNAS DE UM CURSO DE MAGIST&amp;Eacute;RIO&lt;/p&gt;
&lt;/td&gt;
&lt;td align="center"&gt;&lt;span&gt;&lt;a href="//files.cercomp.ufg.br/weby/up/459/o/arquivo1.pdf" target="_blank"&gt;&lt;img src="//files.cercomp.ufg.br/weby/up/459/o/pdf.pdf" alt="" width="21" height="21" /&gt;&lt;/a&gt;&lt;/span&gt;&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td&gt;
&lt;p&gt;Jordana Falc&amp;atilde;o Tavares&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;CONSTRU&amp;Ccedil;&amp;Otilde;ES, DESCONSTRU&amp;Ccedil;&amp;Otilde;ES E RECONSTRU&amp;Ccedil;&amp;Otilde;ES: HIST&amp;Oacute;RIAS DO GRAFITE GOIANIENSE CONTEMPOR&amp;Acirc;NEO&lt;/p&gt;
&lt;/td&gt;
&lt;td align="center"&gt;&lt;span&gt;&lt;a href="//files.cercomp.ufg.br/weby/up/459/o/arquivo1.pdf" target="_blank"&gt;&lt;img src="//files.cercomp.ufg.br/weby/up/459/o/pdf.pdf" alt="" width="21" height="21" /&gt;&lt;/a&gt;&lt;/span&gt;&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td&gt;
&lt;p&gt;Jos&amp;eacute; Ant&amp;ocirc;nio Gomes de Souza&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;TRAN&amp;Ccedil;AR COM AS M&amp;Atilde;OS E TRAMAR COM OS OLHOS: UM TESTEMUNHO DA ARTE GOIANA&lt;/p&gt;
&lt;/td&gt;
&lt;td align="center"&gt;&lt;span&gt;&lt;a href="//files.cercomp.ufg.br/weby/up/459/o/arquivo1.pdf" target="_blank"&gt;&lt;img src="//files.cercomp.ufg.br/weby/up/459/o/pdf.pdf" alt="" width="21" height="21" /&gt;&lt;/a&gt;&lt;/span&gt;&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td&gt;
&lt;p&gt;Laila Beatriz da Rocha Loddi&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;CASA DE BRICOLADOR(A): CARTOGRAFIAS DE BRICOLAGENS&lt;/p&gt;
&lt;/td&gt;
&lt;td align="center"&gt;&lt;span&gt;&lt;a href="//files.cercomp.ufg.br/weby/up/459/o/arquivo1.pdf" target="_blank"&gt;&lt;img src="//files.cercomp.ufg.br/weby/up/459/o/pdf.pdf" alt="" width="21" height="21" /&gt;&lt;/a&gt;&lt;/span&gt;&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td&gt;
&lt;p&gt;Leandro Bezerra Cunha&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;CINEMA DE &amp;Iacute;NDIO: ASPECTOS DA PRODU&amp;Ccedil;&amp;Atilde;O AUDIOVISUAL KUIKURO&lt;/p&gt;
&lt;/td&gt;
&lt;td align="center"&gt;&lt;span&gt;&lt;a href="//files.cercomp.ufg.br/weby/up/459/o/arquivo1.pdf" target="_blank"&gt;&lt;img src="//files.cercomp.ufg.br/weby/up/459/o/pdf.pdf" alt="" width="21" height="21" /&gt;&lt;/a&gt;&lt;/span&gt;&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td&gt;
&lt;p&gt;Lorena Pompei Abdala&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;EST&amp;Eacute;TICAS DA EXIST&amp;Ecirc;NCIA: A MODA NOS FESTIVAIS DE ROCK (GOI&amp;Acirc;NIA NOISE FESTIVAL E LOLLAPALOOZA MUSIC FESTIVAL &amp;ndash; 2008/2009)&lt;/p&gt;
&lt;/td&gt;
&lt;td align="center"&gt;&lt;span&gt;&lt;a href="//files.cercomp.ufg.br/weby/up/459/o/arquivo1.pdf" target="_blank"&gt;&lt;img src="//files.cercomp.ufg.br/weby/up/459/o/pdf.pdf" alt="" width="21" height="21" /&gt;&lt;/a&gt;&lt;/span&gt;&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td&gt;
&lt;p&gt;Luciana Vasconcelos Mac&amp;ecirc;do&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;A &amp;Uacute;LTIMA PRINCESA - PENSANDO A ILUSTRA&amp;Ccedil;&amp;Atilde;O DO LIVRO INFANTIL: UMA PRODU&amp;Ccedil;&amp;Atilde;O EM GRAVURA&lt;/p&gt;
&lt;/td&gt;
&lt;td align="center"&gt;&lt;span&gt;&lt;a href="//files.cercomp.ufg.br/weby/up/459/o/arquivo1.pdf" target="_blank"&gt;&lt;img src="//files.cercomp.ufg.br/weby/up/459/o/pdf.pdf" alt="" width="21" height="21" /&gt;&lt;/a&gt;&lt;/span&gt;&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td&gt;
&lt;p&gt;Maria Madalena Roberto Cabral&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;ARTE P&amp;Uacute;BLICA: SUA FUN&amp;Ccedil;&amp;Atilde;O E SIGNIFICADO NO ESPA&amp;Ccedil;O URBANO DE GOI&amp;Acirc;NIA&lt;/p&gt;
&lt;/td&gt;
&lt;td align="center"&gt;&lt;span&gt;&lt;a href="//files.cercomp.ufg.br/weby/up/459/o/arquivo1.pdf" target="_blank"&gt;&lt;img src="//files.cercomp.ufg.br/weby/up/459/o/pdf.pdf" alt="" width="21" height="21" /&gt;&lt;/a&gt;&lt;/span&gt;&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td&gt;
&lt;p&gt;Noeli Batista dos Santos&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;IMAGENS T&amp;Eacute;CNICAS E O ENSINO DE ARTE &amp;mdash; UM JOGO ANTROPOF&amp;Aacute;GICO&lt;/p&gt;
&lt;/td&gt;
&lt;td align="center"&gt;&lt;span&gt;&lt;a href="//files.cercomp.ufg.br/weby/up/459/o/arquivo1.pdf" target="_blank"&gt;&lt;img src="//files.cercomp.ufg.br/weby/up/459/o/pdf.pdf" alt="" width="21" height="21" /&gt;&lt;/a&gt;&lt;/span&gt;&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td&gt;
&lt;p&gt;Ra&amp;uacute;l Y&amp;eacute;pez Collantes [Yepo]&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;OS SEGREDOS VIS&amp;Iacute;VEIS DA CIDADE: A EFEMERIDADE DA LUZ E DA SOMBRA NA LINGUAGEM FOTOGR&amp;Aacute;FICA&lt;/p&gt;
&lt;/td&gt;
&lt;td align="center"&gt;&lt;span&gt;&lt;a href="//files.cercomp.ufg.br/weby/up/459/o/arquivo1.pdf" target="_blank"&gt;&lt;img src="//files.cercomp.ufg.br/weby/up/459/o/pdf.pdf" alt="" width="21" height="21" /&gt;&lt;/a&gt;&lt;/span&gt;&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td&gt;
&lt;p&gt;Ronne Franklim Carvalho Dias&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;MAZAG&amp;Atilde;O VELHO: IMAGEM-MUNDO DE UMA FESTA, UM BAILE E SUAS M&amp;Aacute;SCARAS&lt;/p&gt;
&lt;/td&gt;
&lt;td align="center"&gt;&lt;span&gt;&lt;a href="//files.cercomp.ufg.br/weby/up/459/o/arquivo1.pdf" target="_blank"&gt;&lt;img src="//files.cercomp.ufg.br/weby/up/459/o/pdf.pdf" alt="" width="21" height="21" /&gt;&lt;/a&gt;&lt;/span&gt;&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td&gt;
&lt;p&gt;Rosilandes C&amp;acirc;ndida Martins&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;DESAFIANDO TEREZAS E BORDANDO BICUDAS - A MENINA NO QUINTAL E AS DOBRAS DO SEU BORNAL&lt;/p&gt;
&lt;/td&gt;
&lt;td align="center"&gt;&lt;span&gt;&lt;a href="//files.cercomp.ufg.br/weby/up/459/o/arquivo1.pdf" target="_blank"&gt;&lt;img src="//files.cercomp.ufg.br/weby/up/459/o/pdf.pdf" alt="" width="21" height="21" /&gt;&lt;/a&gt;&lt;/span&gt;&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td&gt;
&lt;p&gt;Sejana de Pina Jayme&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;VESTIDOS DE FAM&amp;Iacute;LIA: VISUALIDADE E SENTIDOS&lt;/p&gt;
&lt;/td&gt;
&lt;td align="center"&gt;&lt;span&gt;&lt;a href="//files.cercomp.ufg.br/weby/up/459/o/arquivo1.pdf" target="_blank"&gt;&lt;img src="//files.cercomp.ufg.br/weby/up/459/o/pdf.pdf" alt="" width="21" height="21" /&gt;&lt;/a&gt;&lt;/span&gt;&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td&gt;
&lt;p&gt;Selma Rodrigues Parreira&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;LEMBRAN&amp;Ccedil;AS AZUIS E UM RIO VERMELHO&lt;/p&gt;
&lt;/td&gt;
&lt;td align="center"&gt;&lt;span&gt;&lt;a href="//files.cercomp.ufg.br/weby/up/459/o/arquivo1.pdf" target="_blank"&gt;&lt;img src="//files.cercomp.ufg.br/weby/up/459/o/pdf.pdf" alt="" width="21" height="21" /&gt;&lt;/a&gt;&lt;/span&gt;&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td&gt;
&lt;p&gt;V&amp;acirc;nia Ol&amp;aacute;ria&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;ARTE/ VIDA/TRABALHO E EXPERI&amp;Ecirc;NCIA DOCENTE: PRODU&amp;Ccedil;&amp;Atilde;O DE SENTIDOS DE HIPHOPPERS DA VILA PEDROSO&lt;/p&gt;
&lt;/td&gt;
&lt;td align="center"&gt;&lt;span&gt;&lt;a href="//files.cercomp.ufg.br/weby/up/459/o/arquivo1.pdf" target="_blank"&gt;&lt;img src="//files.cercomp.ufg.br/weby/up/459/o/pdf.pdf" alt="" width="21" height="21" /&gt;&lt;/a&gt;&lt;/span&gt;&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td&gt;
&lt;p&gt;Vanderlei Cassiano Lopes J&amp;uacute;nior&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;INTERFACES GR&amp;Aacute;FICAS, SITES SOCIAIS E ENCANTAMENTO: PROPOSTA PARA IMPLEMENTA&amp;Ccedil;&amp;Atilde;O DE JOGO ELETR&amp;Ocirc;NICO A PARTIR DO SITE TWITTER&lt;/p&gt;
&lt;/td&gt;
&lt;td align="center"&gt;&lt;span&gt;&lt;a href="//files.cercomp.ufg.br/weby/up/459/o/arquivo1.pdf" target="_blank"&gt;&lt;img src="//files.cercomp.ufg.br/weby/up/459/o/pdf.pdf" alt="" width="21" height="21" /&gt;&lt;/a&gt;&lt;/span&gt;&lt;/td&gt;
&lt;/tr&gt;
&lt;/tbody&gt;
&lt;/table&gt;
&lt;span&gt;Ano de defesa: 2009&lt;/span&gt;&lt;br /&gt;
&lt;table border="1" cellspacing="0" cellpadding="5"&gt;
&lt;tbody&gt;
&lt;tr&gt;
&lt;td width="35%" height="24"&gt;&lt;strong&gt;ALUNO&lt;/strong&gt;&lt;/td&gt;
&lt;td align="left"&gt;&lt;strong&gt;DISSERTA&amp;Ccedil;&amp;Atilde;O&lt;/strong&gt;&lt;/td&gt;
&lt;td align="center"&gt;&amp;nbsp;&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td&gt;
&lt;p&gt;Adriane Camilo Costa&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;O CINEMA COMO MEDIADOR NA EDUCA&amp;Ccedil;&amp;Atilde;O PARA A CULTURA VISUAL&lt;/p&gt;
&lt;/td&gt;
&lt;td align="center"&gt;&lt;span&gt;&lt;a href="//files.cercomp.ufg.br/weby/up/459/o/arquivo1.pdf" target="_blank"&gt;&lt;img src="//files.cercomp.ufg.br/weby/up/459/o/pdf.pdf" alt="" width="21" height="21" /&gt;&lt;/a&gt;&lt;/span&gt;&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td&gt;
&lt;p&gt;Aline Soares Lima&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;QUEM SOU EU AUTORREPRESENTA&amp;Ccedil;&amp;Otilde;ES DE TRAVESTIS NO ORKUT&lt;/p&gt;
&lt;/td&gt;
&lt;td align="center"&gt;&lt;span&gt;&lt;a href="//files.cercomp.ufg.br/weby/up/459/o/arquivo1.pdf" target="_blank"&gt;&lt;img src="//files.cercomp.ufg.br/weby/up/459/o/pdf.pdf" alt="" width="21" height="21" /&gt;&lt;/a&gt;&lt;/span&gt;&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td&gt;
&lt;p&gt;Armando de Aguiar Guedes Coelho&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;CARLOS SENA: A TRAJET&amp;Oacute;RIA DE UM ARTISTA NA ARTE GOIANA (1980-1989)&lt;/p&gt;
&lt;/td&gt;
&lt;td align="center"&gt;&lt;span&gt;&lt;a href="//files.cercomp.ufg.br/weby/up/459/o/arquivo1.pdf" target="_blank"&gt;&lt;img src="//files.cercomp.ufg.br/weby/up/459/o/pdf.pdf" alt="" width="21" height="21" /&gt;&lt;/a&gt;&lt;/span&gt;&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td&gt;
&lt;p&gt;Fabiana Alzira Ramos Nascimento&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;ESEFFEGO: IMAGENS DO PIONEIRISMO DA EDUCA&amp;Ccedil;&amp;Atilde;O F&amp;iacute;SICA EM GOI&amp;Acirc;NIA&lt;/p&gt;
&lt;/td&gt;
&lt;td align="center"&gt;&lt;span&gt;&lt;a href="//files.cercomp.ufg.br/weby/up/459/o/arquivo1.pdf" target="_blank"&gt;&lt;img src="//files.cercomp.ufg.br/weby/up/459/o/pdf.pdf" alt="" width="21" height="21" /&gt;&lt;/a&gt;&lt;/span&gt;&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td&gt;
&lt;p&gt;Gisele Costa Ferreira da Silva&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;LIVROS DID&amp;Aacute;TICOS PARA O ENSINO DE ARTE: DI&amp;Aacute;LOGOS, PR&amp;Aacute;TICAS E (DES)CAMINHOS&lt;/p&gt;
&lt;/td&gt;
&lt;td align="center"&gt;&lt;span&gt;&lt;a href="//files.cercomp.ufg.br/weby/up/459/o/arquivo1.pdf" target="_blank"&gt;&lt;img src="//files.cercomp.ufg.br/weby/up/459/o/pdf.pdf" alt="" width="21" height="21" /&gt;&lt;/a&gt;&lt;/span&gt;&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td&gt;
&lt;p&gt;Juscelina B&amp;aacute;rbara Anjos Matos&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;COSTURANDO MODA: UMA AN&amp;Aacute;LISE DAS PR&amp;Aacute;TICAS VESTIMENTARES FEMININAS EM VIT&amp;Oacute;RIA DA CONQUISTA &amp;ndash; BA (1950 &amp;ndash; 1965)&lt;/p&gt;
&lt;/td&gt;
&lt;td align="center"&gt;&lt;span&gt;&lt;a href="//files.cercomp.ufg.br/weby/up/459/o/arquivo1.pdf" target="_blank"&gt;&lt;img src="//files.cercomp.ufg.br/weby/up/459/o/pdf.pdf" alt="" width="21" height="21" /&gt;&lt;/a&gt;&lt;/span&gt;&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td&gt;
&lt;p&gt;Kelly Bianca Clifford Valen&amp;ccedil;a&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;ARTE CONTEMPOR&amp;Acirc;NEA NA FORMA&amp;Ccedil;&amp;Atilde;O DE PROFESSORES: UM ESTUDO COM ALUNOS DA LICENCIATURA EM ARTES VISUAIS DA UFG&lt;/p&gt;
&lt;/td&gt;
&lt;td align="center"&gt;&lt;span&gt;&lt;a href="//files.cercomp.ufg.br/weby/up/459/o/arquivo1.pdf" target="_blank"&gt;&lt;img src="//files.cercomp.ufg.br/weby/up/459/o/pdf.pdf" alt="" width="21" height="21" /&gt;&lt;/a&gt;&lt;/span&gt;&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td&gt;
&lt;p&gt;L&amp;iacute;dia Lobato Leal&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;MARAC&amp;Aacute; E CUNANI: IMAGENS INSTITUCIONAIS PARA O AMAP&amp;Aacute;&lt;/p&gt;
&lt;/td&gt;
&lt;td align="center"&gt;&lt;span&gt;&lt;a href="//files.cercomp.ufg.br/weby/up/459/o/arquivo1.pdf" target="_blank"&gt;&lt;img src="//files.cercomp.ufg.br/weby/up/459/o/pdf.pdf" alt="" width="21" height="21" /&gt;&lt;/a&gt;&lt;/span&gt;&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td&gt;
&lt;p&gt;L&amp;iacute;via Santos Brisolla&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;PR&amp;Aacute;TICA REFLEXIVA E TRABALHO PEDAG&amp;Oacute;GICO: ENTRE CONTORNOS E SOMBRAS DE UM LIVRO DID&amp;Aacute;TICO DE ARTE&lt;/p&gt;
&lt;/td&gt;
&lt;td align="center"&gt;&lt;span&gt;&lt;a href="//files.cercomp.ufg.br/weby/up/459/o/arquivo1.pdf" target="_blank"&gt;&lt;img src="//files.cercomp.ufg.br/weby/up/459/o/pdf.pdf" alt="" width="21" height="21" /&gt;&lt;/a&gt;&lt;/span&gt;&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td&gt;
&lt;p&gt;L&amp;uacute;cia Bertazzo&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;O ATIVISMO AMBIENTAL NAS A&amp;Ccedil;&amp;Otilde;ES E INSTALA&amp;Ccedil;&amp;Otilde;ES DE SIRON FRANCO, 1986 - 2008: A ARTE COMO ESTRAT&amp;Eacute;GIA DE DIVULGA&amp;Ccedil;&amp;Atilde;O&lt;/p&gt;
&lt;/td&gt;
&lt;td align="center"&gt;&lt;span&gt;&lt;a href="//files.cercomp.ufg.br/weby/up/459/o/arquivo1.pdf" target="_blank"&gt;&lt;img src="//files.cercomp.ufg.br/weby/up/459/o/pdf.pdf" alt="" width="21" height="21" /&gt;&lt;/a&gt;&lt;/span&gt;&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td&gt;
&lt;p&gt;Leonardo Eloi Soares de Carvalho&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;DUALIDADES: SOBRE PERMAN&amp;Ecirc;NCIAS E IMPERTIN&amp;Ecirc;NCIAS UM ESTUDO SOBRE A PERCEP&amp;Ccedil;&amp;Atilde;O DO CIBERESPA&amp;Ccedil;O&lt;/p&gt;
&lt;/td&gt;
&lt;td align="center"&gt;&lt;span&gt;&lt;a href="//files.cercomp.ufg.br/weby/up/459/o/arquivo1.pdf" target="_blank"&gt;&lt;img src="//files.cercomp.ufg.br/weby/up/459/o/pdf.pdf" alt="" width="21" height="21" /&gt;&lt;/a&gt;&lt;/span&gt;&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td&gt;
&lt;p&gt;Marcilon Almeida de Melo&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;PROJETO GR&amp;Aacute;FICO PARA AMBIENTES COMPUTACIONAIS: INVESTIGA&amp;Ccedil;&amp;Atilde;O E PROPOSTA.&lt;/p&gt;
&lt;/td&gt;
&lt;td align="center"&gt;&lt;span&gt;&lt;a href="//files.cercomp.ufg.br/weby/up/459/o/arquivo1.pdf" target="_blank"&gt;&lt;img src="//files.cercomp.ufg.br/weby/up/459/o/pdf.pdf" alt="" width="21" height="21" /&gt;&lt;/a&gt;&lt;/span&gt;&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td&gt;
&lt;p&gt;Renata Ferreira Dos Santos Prudente&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;A MODA ANTES DOS SHOPPINGS EM GOI&amp;Acirc;NIA: A BUTIQUE CASEIRA E O GLAMOUR DA GALERIA&lt;/p&gt;
&lt;/td&gt;
&lt;td align="center"&gt;&lt;span&gt;&lt;a href="//files.cercomp.ufg.br/weby/up/459/o/arquivo1.pdf" target="_blank"&gt;&lt;img src="//files.cercomp.ufg.br/weby/up/459/o/pdf.pdf" alt="" width="21" height="21" /&gt;&lt;/a&gt;&lt;/span&gt;&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td&gt;
&lt;p&gt;Rog&amp;eacute;ria Eler Silva&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;IMAGENS DE NARCISOS NAS PRATELEIRAS DO ORKUT&lt;/p&gt;
&lt;/td&gt;
&lt;td align="center"&gt;&lt;span&gt;&lt;a href="//files.cercomp.ufg.br/weby/up/459/o/arquivo1.pdf" target="_blank"&gt;&lt;img src="//files.cercomp.ufg.br/weby/up/459/o/pdf.pdf" alt="" width="21" height="21" /&gt;&lt;/a&gt;&lt;/span&gt;&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td&gt;
&lt;p&gt;Wolney Fernandes de Oliveira&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;HIST&amp;Oacute;RIAS COM DONA PRIZULINA DA BEIRA DO FOG&amp;Atilde;O &amp;Agrave; CULTURA VISUAL&lt;/p&gt;
&lt;/td&gt;
&lt;td align="center"&gt;&lt;span&gt;&lt;a href="//files.cercomp.ufg.br/weby/up/459/o/arquivo1.pdf" target="_blank"&gt;&lt;img src="//files.cercomp.ufg.br/weby/up/459/o/pdf.pdf" alt="" width="21" height="21" /&gt;&lt;/a&gt;&lt;/span&gt;&lt;/td&gt;
&lt;/tr&gt;
&lt;/tbody&gt;
&lt;/table&gt;
&lt;span&gt;Ano de defesa: 2008&lt;/span&gt;&lt;br /&gt;
&lt;table border="1" cellspacing="0" cellpadding="5"&gt;
&lt;tbody&gt;
&lt;tr&gt;
&lt;td width="35%" height="24"&gt;&lt;strong&gt;ALUNO&lt;/strong&gt;&lt;/td&gt;
&lt;td align="left"&gt;&lt;strong&gt;DISSERTA&amp;Ccedil;&amp;Atilde;O&lt;/strong&gt;&lt;/td&gt;
&lt;td align="center"&gt;&amp;nbsp;&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td&gt;
&lt;p&gt;Adriana Aparecida Mendon&amp;ccedil;a&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;LAR&amp;Oacute;Y&amp;Egrave;: EXU NA OBRA DE MARIO CRAVO NETO&lt;/p&gt;
&lt;/td&gt;
&lt;td align="center"&gt;&lt;span&gt;&lt;a href="//files.cercomp.ufg.br/weby/up/459/o/arquivo1.pdf" target="_blank"&gt;&lt;img src="//files.cercomp.ufg.br/weby/up/459/o/pdf.pdf" alt="" width="21" height="21" /&gt;&lt;/a&gt;&lt;/span&gt;&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td&gt;
&lt;p&gt;Alana Morais Abreu e Silva&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;A TRANSPAR&amp;Ecirc;NCIA E O PROCESSO DE CRIA&amp;Ccedil;&amp;Atilde;O EM GRAVURA PRODU&amp;Ccedil;&amp;Otilde;ES EXPERIMENTAIS&lt;/p&gt;
&lt;/td&gt;
&lt;td align="center"&gt;&lt;span&gt;&lt;a href="//files.cercomp.ufg.br/weby/up/459/o/arquivo1.pdf" target="_blank"&gt;&lt;img src="//files.cercomp.ufg.br/weby/up/459/o/pdf.pdf" alt="" width="21" height="21" /&gt;&lt;/a&gt;&lt;/span&gt;&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td&gt;
&lt;p&gt;Alexandre Adalberto Pereira&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;O DESENHO PEDAG&amp;Oacute;GICO E AS POSI&amp;Ccedil;&amp;Otilde;ES DE SUJEITO EM ESCOLA RIBEIRINHA DE MACAP&amp;Aacute;&lt;/p&gt;
&lt;/td&gt;
&lt;td align="center"&gt;&lt;span&gt;&lt;a href="//files.cercomp.ufg.br/weby/up/459/o/arquivo1.pdf" target="_blank"&gt;&lt;img src="//files.cercomp.ufg.br/weby/up/459/o/pdf.pdf" alt="" width="21" height="21" /&gt;&lt;/a&gt;&lt;/span&gt;&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td&gt;
&lt;p&gt;Carla Gioconda Alves Pinto&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;VISUALIDADES EDUCACIONAIS: IMAGEM, CULTURA VISUAL E TRABALHO PEDAG&amp;Oacute;GICO&lt;/p&gt;
&lt;/td&gt;
&lt;td align="center"&gt;&lt;span&gt;&lt;a href="//files.cercomp.ufg.br/weby/up/459/o/arquivo1.pdf" target="_blank"&gt;&lt;img src="//files.cercomp.ufg.br/weby/up/459/o/pdf.pdf" alt="" width="21" height="21" /&gt;&lt;/a&gt;&lt;/span&gt;&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td&gt;
&lt;p&gt;D&amp;eacute;borah Rodrigues Borges&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;REGISTROS DE MEM&amp;Oacute;RIA EM IMAGENS: USOS E FUN&amp;Ccedil;&amp;Otilde;ES DA FOTOGRAFIA MORTU&amp;Aacute;RIA EM CONTEXTO FAMILIAR NA CIDADE DE BELA VISTA DE GOI&amp;Aacute;S (1920 - 1960)&lt;/p&gt;
&lt;/td&gt;
&lt;td align="center"&gt;&lt;span&gt;&lt;a href="//files.cercomp.ufg.br/weby/up/459/o/arquivo1.pdf" target="_blank"&gt;&lt;img src="//files.cercomp.ufg.br/weby/up/459/o/pdf.pdf" alt="" width="21" height="21" /&gt;&lt;/a&gt;&lt;/span&gt;&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td&gt;
&lt;p&gt;Gild&amp;eacute;sio Bomfim de Oliveira&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;A CI&amp;Ecirc;NCIA NO JORNAL NACIONAL: ENTRE O FATO E A FIC&amp;Ccedil;&amp;Atilde;O&lt;/p&gt;
&lt;/td&gt;
&lt;td align="center"&gt;&lt;span&gt;&lt;a href="//files.cercomp.ufg.br/weby/up/459/o/arquivo1.pdf" target="_blank"&gt;&lt;img src="//files.cercomp.ufg.br/weby/up/459/o/pdf.pdf" alt="" width="21" height="21" /&gt;&lt;/a&gt;&lt;/span&gt;&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td&gt;
&lt;p&gt;Halima Alves de Lima Elusta&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;VISITA AO MUSEU DE PEDRA: ARTE NO CEMIT&amp;Eacute;RIO DA SAUDADE DE CAMPINAS &amp;ndash; SP (1881 &amp;ndash;1950)&lt;/p&gt;
&lt;/td&gt;
&lt;td align="center"&gt;&lt;span&gt;&lt;a href="//files.cercomp.ufg.br/weby/up/459/o/arquivo1.pdf" target="_blank"&gt;&lt;img src="//files.cercomp.ufg.br/weby/up/459/o/pdf.pdf" alt="" width="21" height="21" /&gt;&lt;/a&gt;&lt;/span&gt;&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td&gt;
&lt;p&gt;Ivaina de F&amp;aacute;tima Oliveira&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;A (IN)VISIBILIDADE DA CULTURA NEGRA AFRICANA NO ENSINO DE ARTES VISUAIS&lt;/p&gt;
&lt;/td&gt;
&lt;td align="center"&gt;&lt;span&gt;&lt;a href="//files.cercomp.ufg.br/weby/up/459/o/arquivo1.pdf" target="_blank"&gt;&lt;img src="//files.cercomp.ufg.br/weby/up/459/o/pdf.pdf" alt="" width="21" height="21" /&gt;&lt;/a&gt;&lt;/span&gt;&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td&gt;
&lt;p&gt;Laudemiro Roriz J&amp;uacute;nior&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;A INFLU&amp;Ecirc;NCIA DA VOLUMETRIA ARQUITET&amp;Ocirc;NICA NO DESIGN DE MOBILI&amp;Aacute;RIO CONTEMPOR&amp;Acirc;NEO (ESTUDO DE CASO: O TRABALHO DE AUGUSTO THOM&amp;Eacute;).&lt;/p&gt;
&lt;/td&gt;
&lt;td align="center"&gt;&lt;span&gt;&lt;a href="//files.cercomp.ufg.br/weby/up/459/o/arquivo1.pdf" target="_blank"&gt;&lt;img src="//files.cercomp.ufg.br/weby/up/459/o/pdf.pdf" alt="" width="21" height="21" /&gt;&lt;/a&gt;&lt;/span&gt;&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td&gt;
&lt;p&gt;Luciana de Maya Ricardo&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;TESSITURAS DE IDENTIDADES: O PODER EM SUAS M&amp;Atilde;OS&lt;/p&gt;
&lt;/td&gt;
&lt;td align="center"&gt;&lt;span&gt;&lt;a href="//files.cercomp.ufg.br/weby/up/459/o/arquivo1.pdf" target="_blank"&gt;&lt;img src="//files.cercomp.ufg.br/weby/up/459/o/pdf.pdf" alt="" width="21" height="21" /&gt;&lt;/a&gt;&lt;/span&gt;&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td&gt;
&lt;p&gt;Manoela dos Anjos Afonso&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;BRAS&amp;Iacute;LIA GRAVADA&lt;/p&gt;
&lt;/td&gt;
&lt;td align="center"&gt;&lt;span&gt;&lt;a href="//files.cercomp.ufg.br/weby/up/459/o/arquivo1.pdf" target="_blank"&gt;&lt;img src="//files.cercomp.ufg.br/weby/up/459/o/pdf.pdf" alt="" width="21" height="21" /&gt;&lt;/a&gt;&lt;/span&gt;&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td&gt;
&lt;p&gt;Naira Rosana Dias da Silva&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;REPRESENTA&amp;Ccedil;&amp;Atilde;O DO ELEMENTO NARRATIVO MULHER FATAL: CONSTRU&amp;Ccedil;&amp;Atilde;O DAS PERSONAGENS ZAHARA E JUAN NO FILME M&amp;Aacute; EDUCA&amp;Ccedil;&amp;Atilde;O, DO CINEASTA ESPANHOL PEDRO ALMOD&amp;Oacute;VAR&lt;/p&gt;
&lt;/td&gt;
&lt;td align="center"&gt;&lt;span&gt;&lt;a href="//files.cercomp.ufg.br/weby/up/459/o/arquivo1.pdf" target="_blank"&gt;&lt;img src="//files.cercomp.ufg.br/weby/up/459/o/pdf.pdf" alt="" width="21" height="21" /&gt;&lt;/a&gt;&lt;/span&gt;&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td&gt;
&lt;p&gt;Najla Fouad Saghi&amp;eacute;&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;O ENSINO / APRENDIZAGEM DA L&amp;Iacute;NGUA INGLESA NA PERSPECTIVA DA CULTURA VISUAL&lt;/p&gt;
&lt;/td&gt;
&lt;td align="center"&gt;&lt;span&gt;&lt;a href="//files.cercomp.ufg.br/weby/up/459/o/arquivo1.pdf" target="_blank"&gt;&lt;img src="//files.cercomp.ufg.br/weby/up/459/o/pdf.pdf" alt="" width="21" height="21" /&gt;&lt;/a&gt;&lt;/span&gt;&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td&gt;
&lt;p&gt;Patr&amp;iacute;cia Quitero Rosenzweig&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;PERSONALIDADES CONSTRU&amp;Iacute;DAS A LINGUAGEM AUDIOVISUAL E O PODER CRIADOR DA C&amp;Acirc;MERA NA FORMA&amp;Ccedil;&amp;Atilde;O DA IMAGEM P&amp;Uacute;BLICA&lt;/p&gt;
&lt;/td&gt;
&lt;td align="center"&gt;&lt;span&gt;&lt;a href="//files.cercomp.ufg.br/weby/up/459/o/arquivo1.pdf" target="_blank"&gt;&lt;img src="//files.cercomp.ufg.br/weby/up/459/o/pdf.pdf" alt="" width="21" height="21" /&gt;&lt;/a&gt;&lt;/span&gt;&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td&gt;
&lt;p&gt;Rafaela Felipe Asmar&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;PRODUZINDO IMAGENS E DESEJOS: UMA AN&amp;Aacute;LISE DO PAPEL DO STYLIST NA SEDU&amp;Ccedil;&amp;Atilde;O EXERCIDA POR EDITORIAIS DE MODA PUBLICADOS PELA M&amp;Iacute;DIA IMPRESSA BRASILEIRA&lt;/p&gt;
&lt;/td&gt;
&lt;td align="center"&gt;&lt;span&gt;&lt;a href="//files.cercomp.ufg.br/weby/up/459/o/arquivo1.pdf" target="_blank"&gt;&lt;img src="//files.cercomp.ufg.br/weby/up/459/o/pdf.pdf" alt="" width="21" height="21" /&gt;&lt;/a&gt;&lt;/span&gt;&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td&gt;
&lt;p&gt;Raquel Mendes de Melo&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;A ESPADA ERA A LEI: VISUALIDADES DA PR&amp;Aacute;XIS PEDAG&amp;Oacute;GICA&lt;/p&gt;
&lt;/td&gt;
&lt;td align="center"&gt;&lt;span&gt;&lt;a href="//files.cercomp.ufg.br/weby/up/459/o/arquivo1.pdf" target="_blank"&gt;&lt;img src="//files.cercomp.ufg.br/weby/up/459/o/pdf.pdf" alt="" width="21" height="21" /&gt;&lt;/a&gt;&lt;/span&gt;&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td&gt;
&lt;p&gt;Rosane Andrade de Carvalho&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;PAULO FOGA&amp;Ccedil;A: O ARTISTA E SEU TEMPO&lt;/p&gt;
&lt;/td&gt;
&lt;td align="center"&gt;&lt;span&gt;&lt;a href="//files.cercomp.ufg.br/weby/up/459/o/arquivo1.pdf" target="_blank"&gt;&lt;img src="//files.cercomp.ufg.br/weby/up/459/o/pdf.pdf" alt="" width="21" height="21" /&gt;&lt;/a&gt;&lt;/span&gt;&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td&gt;
&lt;p&gt;Shirley Elias Vilela&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;A PRECOCIDADE DO VAZIO (Barbie, tudo que voc&amp;ecirc; quer ser!)&lt;/p&gt;
&lt;/td&gt;
&lt;td align="center"&gt;&lt;span&gt;&lt;a href="//files.cercomp.ufg.br/weby/up/459/o/arquivo1.pdf" target="_blank"&gt;&lt;img src="//files.cercomp.ufg.br/weby/up/459/o/pdf.pdf" alt="" width="21" height="21" /&gt;&lt;/a&gt;&lt;/span&gt;&lt;/td&gt;
&lt;/tr&gt;
&lt;/tbody&gt;
&lt;/table&gt;
&lt;span&gt;Ano de defesa: 2007&lt;/span&gt;&lt;br /&gt;
&lt;table border="1" cellspacing="0" cellpadding="5"&gt;
&lt;tbody&gt;
&lt;tr&gt;
&lt;td width="35%" height="24"&gt;&lt;strong&gt;ALUNO&lt;/strong&gt;&lt;/td&gt;
&lt;td align="left"&gt;&lt;strong&gt;DISSERTA&amp;Ccedil;&amp;Atilde;O&lt;/strong&gt;&lt;/td&gt;
&lt;td align="center"&gt;&amp;nbsp;&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td&gt;
&lt;p&gt;Adair Marques Filho&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;ARTE E COTIDIANO: EXPERI&amp;Ecirc;NCIA HOMOSSEXUAL, TEORIA QUEER E EDUCA&amp;Ccedil;&amp;Atilde;O&lt;/p&gt;
&lt;/td&gt;
&lt;td align="center"&gt;&lt;span&gt;&lt;a href="//files.cercomp.ufg.br/weby/up/459/o/arquivo1.pdf" target="_blank"&gt;&lt;img src="//files.cercomp.ufg.br/weby/up/459/o/pdf.pdf" alt="" width="21" height="21" /&gt;&lt;/a&gt;&lt;/span&gt;&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td&gt;
&lt;p&gt;Ana Rita Vidica Fernandes&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;CLUBE DA OBJETIVA (1970-1989): UM FOTOCLUBE NO CENTRAL DO BRASIL&lt;/p&gt;
&lt;/td&gt;
&lt;td align="center"&gt;&lt;span&gt;&lt;a href="//files.cercomp.ufg.br/weby/up/459/o/arquivo1.pdf" target="_blank"&gt;&lt;img src="//files.cercomp.ufg.br/weby/up/459/o/pdf.pdf" alt="" width="21" height="21" /&gt;&lt;/a&gt;&lt;/span&gt;&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td&gt;
&lt;p&gt;Angela Batista Rosa Mendes&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;HIST&amp;Oacute;RIAS SOBRE O FUTURO: VISUALIDADES PRODUZIDAS POR ADOLESCENTES A PARTIR DE FILMES DE FIC&amp;Ccedil;&amp;Atilde;O CIENT&amp;Iacute;FICA&lt;/p&gt;
&lt;/td&gt;
&lt;td align="center"&gt;&lt;span&gt;&lt;a href="//files.cercomp.ufg.br/weby/up/459/o/arquivo1.pdf" target="_blank"&gt;&lt;img src="//files.cercomp.ufg.br/weby/up/459/o/pdf.pdf" alt="" width="21" height="21" /&gt;&lt;/a&gt;&lt;/span&gt;&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td&gt;
&lt;p&gt;Daniela de Oliveira&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;VISUALIDADES EM FOCO: CONEX&amp;Otilde;ES ENTRE A CULTURA VISUAL E O VALE DO AMANHECER&lt;/p&gt;
&lt;/td&gt;
&lt;td align="center"&gt;&lt;span&gt;&lt;a href="//files.cercomp.ufg.br/weby/up/459/o/arquivo1.pdf" target="_blank"&gt;&lt;img src="//files.cercomp.ufg.br/weby/up/459/o/pdf.pdf" alt="" width="21" height="21" /&gt;&lt;/a&gt;&lt;/span&gt;&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td&gt;
&lt;p&gt;Henrique Lima Assis&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;OUTROS MODOS DE VER: IMAGENS CINEMATOGR&amp;Aacute;FICAS NO ENSINO DE ARTES VISUAIS&lt;/p&gt;
&lt;/td&gt;
&lt;td align="center"&gt;&lt;span&gt;&lt;a href="//files.cercomp.ufg.br/weby/up/459/o/arquivo1.pdf" target="_blank"&gt;&lt;img src="//files.cercomp.ufg.br/weby/up/459/o/pdf.pdf" alt="" width="21" height="21" /&gt;&lt;/a&gt;&lt;/span&gt;&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td&gt;
&lt;p&gt;Lav&amp;iacute;nnia Seabra Gomes&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;A MATRIZ DE GRAVURA COMO ELEMENTO DE MODA&lt;/p&gt;
&lt;/td&gt;
&lt;td align="center"&gt;&lt;span&gt;&lt;a href="//files.cercomp.ufg.br/weby/up/459/o/arquivo1.pdf" target="_blank"&gt;&lt;img src="//files.cercomp.ufg.br/weby/up/459/o/pdf.pdf" alt="" width="21" height="21" /&gt;&lt;/a&gt;&lt;/span&gt;&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td&gt;
&lt;p&gt;Let&amp;iacute;cia Segurado C&amp;ocirc;rtes&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;IMAGENS DE MULHER &amp;ndash; A FOTOGRAFIA NA ARTE CONTEMPOR&amp;Acirc;NEA BRASILEIRA&lt;/p&gt;
&lt;/td&gt;
&lt;td align="center"&gt;&lt;span&gt;&lt;a href="//files.cercomp.ufg.br/weby/up/459/o/arquivo1.pdf" target="_blank"&gt;&lt;img src="//files.cercomp.ufg.br/weby/up/459/o/pdf.pdf" alt="" width="21" height="21" /&gt;&lt;/a&gt;&lt;/span&gt;&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td&gt;
&lt;p&gt;Marcelo Henrique da Costa&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;GOI&amp;Acirc;NIA: MITO OU MODERNIDADE? UM OLHAR PUBLICIT&amp;Aacute;RIO SOBRE A IDENTIDADE DA CIDADE&lt;/p&gt;
&lt;/td&gt;
&lt;td align="center"&gt;&lt;span&gt;&lt;a href="//files.cercomp.ufg.br/weby/up/459/o/arquivo1.pdf" target="_blank"&gt;&lt;img src="//files.cercomp.ufg.br/weby/up/459/o/pdf.pdf" alt="" width="21" height="21" /&gt;&lt;/a&gt;&lt;/span&gt;&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td&gt;
&lt;p&gt;Miguel Luiz Ambrizzi&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;CAMINHOS CRUZADOS ARTISTAS ENTRE VIAGENS, OLHARES E TEMPOS: ARTE E CI&amp;Ecirc;NCIA NA EXPEDI&amp;Ccedil;&amp;Atilde;O LANGSDORFF - S&amp;Eacute;CULOS XIX E XX&lt;/p&gt;
&lt;/td&gt;
&lt;td align="center"&gt;&lt;span&gt;&lt;a href="//files.cercomp.ufg.br/weby/up/459/o/arquivo1.pdf" target="_blank"&gt;&lt;img src="//files.cercomp.ufg.br/weby/up/459/o/pdf.pdf" alt="" width="21" height="21" /&gt;&lt;/a&gt;&lt;/span&gt;&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td&gt;
&lt;p&gt;S&amp;eacute;rgio Ant&amp;ocirc;nio Penna de Moraes&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;GRAVURAS COM USO DE COMPUTA&amp;Ccedil;&amp;Atilde;O GR&amp;Aacute;FICA: UM PROCESSO PESSOAL DE CRIA&amp;Ccedil;&amp;Atilde;O, AUTOCONHECIMENTO E TRANSFORMA&amp;Ccedil;&amp;Atilde;O&lt;/p&gt;
&lt;/td&gt;
&lt;td align="center"&gt;&lt;span&gt;&lt;a href="//files.cercomp.ufg.br/weby/up/459/o/arquivo1.pdf" target="_blank"&gt;&lt;img src="//files.cercomp.ufg.br/weby/up/459/o/pdf.pdf" alt="" width="21" height="21" /&gt;&lt;/a&gt;&lt;/span&gt;&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td&gt;
&lt;p&gt;Vivianne Cabral e Silva&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;CONSTRU&amp;Ccedil;&amp;Atilde;O DE IDENTIDADE DE MARCA, FOTOGRAFIA DE MODA E EROTISMO: AS CAMPANHAS SISLEY&lt;/p&gt;
&lt;/td&gt;
&lt;td align="center"&gt;&lt;span&gt;&lt;a href="//files.cercomp.ufg.br/weby/up/459/o/arquivo1.pdf" target="_blank"&gt;&lt;img src="//files.cercomp.ufg.br/weby/up/459/o/pdf.pdf" alt="" width="21" height="21" /&gt;&lt;/a&gt;&lt;/span&gt;&lt;/td&gt;
&lt;/tr&gt;
&lt;/tbody&gt;
&lt;/table&gt;
&lt;span&gt;Ano de defesa: 2006&lt;/span&gt;&lt;br /&gt;
&lt;table border="1" cellspacing="0" cellpadding="5"&gt;
&lt;tbody&gt;
&lt;tr&gt;
&lt;td width="35%" height="24"&gt;&lt;strong&gt;ALUNO&lt;/strong&gt;&lt;/td&gt;
&lt;td align="left"&gt;&lt;strong&gt;DISSERTA&amp;Ccedil;&amp;Atilde;O&lt;/strong&gt;&lt;/td&gt;
&lt;td align="center"&gt;&amp;nbsp;&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td&gt;
&lt;p&gt;Danielly Amatte&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;ENTRE EVAS E HUMANOS&lt;/p&gt;
&lt;/td&gt;
&lt;td align="center"&gt;&lt;span&gt;&lt;a href="//files.cercomp.ufg.br/weby/up/459/o/arquivo1.pdf" target="_blank"&gt;&lt;img src="//files.cercomp.ufg.br/weby/up/459/o/pdf.pdf" alt="" width="21" height="21" /&gt;&lt;/a&gt;&lt;/span&gt;&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td&gt;
&lt;p&gt;F&amp;aacute;bio Ferreira de Lima&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;SENTIDOS FLUIDOS: UMA ABORDAGEM SEMI&amp;Oacute;TICA DOS VIDEOCLIPES DE CHRIS CUNNINGHAM&lt;/p&gt;
&lt;/td&gt;
&lt;td align="center"&gt;&lt;span&gt;&lt;a href="//files.cercomp.ufg.br/weby/up/459/o/arquivo1.pdf" target="_blank"&gt;&lt;img src="//files.cercomp.ufg.br/weby/up/459/o/pdf.pdf" alt="" width="21" height="21" /&gt;&lt;/a&gt;&lt;/span&gt;&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td&gt;
&lt;p&gt;L&amp;iacute;lian Ucker&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;ESPA&amp;Ccedil;OS REAIS E IMAGINADOS: UM ESTUDO DE DESENHOS DE ALUNOS EM ESCOLAS P&amp;Uacute;BLICAS DE GOI&amp;Acirc;NIA&lt;/p&gt;
&lt;/td&gt;
&lt;td align="center"&gt;&lt;span&gt;&lt;a href="//files.cercomp.ufg.br/weby/up/459/o/arquivo1.pdf" target="_blank"&gt;&lt;img src="//files.cercomp.ufg.br/weby/up/459/o/pdf.pdf" alt="" width="21" height="21" /&gt;&lt;/a&gt;&lt;/span&gt;&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td&gt;
&lt;p&gt;M&amp;aacute;rcia Regina Santos Brisolla&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;REPRESENTA&amp;Ccedil;&amp;Atilde;O DA MULHER NA CAMPANHA PELA REAL BELEZA DOVE: UM ESTUDO DOS PROCESSOS DE SIGNIFICA&amp;Ccedil;&amp;Atilde;O EM MENSAGENS PUBLICIT&amp;Aacute;RIAS&lt;/p&gt;
&lt;/td&gt;
&lt;td align="center"&gt;&lt;span&gt;&lt;a href="//files.cercomp.ufg.br/weby/up/459/o/arquivo1.pdf" target="_blank"&gt;&lt;img src="//files.cercomp.ufg.br/weby/up/459/o/pdf.pdf" alt="" width="21" height="21" /&gt;&lt;/a&gt;&lt;/span&gt;&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td&gt;
&lt;p&gt;M&amp;ocirc;nica Mitchell de Morais Braga&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;REPRESENTA&amp;Ccedil;&amp;Otilde;ES DO TRABALHADOR NO MODERNISMO BRASILEIRO DOS ANOS 30 E 40: UM PROJETO DE TRABALHO EM ENSINO DE ARTE&lt;/p&gt;
&lt;/td&gt;
&lt;td align="center"&gt;&lt;span&gt;&lt;a href="//files.cercomp.ufg.br/weby/up/459/o/arquivo1.pdf" target="_blank"&gt;&lt;img src="//files.cercomp.ufg.br/weby/up/459/o/pdf.pdf" alt="" width="21" height="21" /&gt;&lt;/a&gt;&lt;/span&gt;&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td&gt;
&lt;p&gt;Naia Medianeira Msserlian La-Bella&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;ARTE E MODA: ESPA&amp;Ccedil;OS DE CONJUN&amp;Ccedil;&amp;Atilde;O&lt;/p&gt;
&lt;/td&gt;
&lt;td align="center"&gt;&lt;span&gt;&lt;a href="//files.cercomp.ufg.br/weby/up/459/o/arquivo1.pdf" target="_blank"&gt;&lt;img src="//files.cercomp.ufg.br/weby/up/459/o/pdf.pdf" alt="" width="21" height="21" /&gt;&lt;/a&gt;&lt;/span&gt;&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td&gt;
&lt;p&gt;Nancy de Melo Batista Pereira&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;A GRAVURA COMO PO&amp;Eacute;TICA ATUAL E ALGUNS PARADIGMAS DE UMA VELHA TECNOLOGIA: UMA PRODU&amp;Ccedil;&amp;Atilde;O DE GRAVURA EM METAL&lt;/p&gt;
&lt;/td&gt;
&lt;td align="center"&gt;&lt;span&gt;&lt;a href="//files.cercomp.ufg.br/weby/up/459/o/arquivo1.pdf" target="_blank"&gt;&lt;img src="//files.cercomp.ufg.br/weby/up/459/o/pdf.pdf" alt="" width="21" height="21" /&gt;&lt;/a&gt;&lt;/span&gt;&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td&gt;
&lt;p&gt;Rafael Alves Pinto J&amp;uacute;nior&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;OS AZULEJOS DE PORTINARI COMO ELEMENTOS VISUAIS DA ARQUITETURA MODERNISTA NO BRASIL&lt;/p&gt;
&lt;/td&gt;
&lt;td align="center"&gt;&lt;span&gt;&lt;a href="//files.cercomp.ufg.br/weby/up/459/o/arquivo1.pdf" target="_blank"&gt;&lt;img src="//files.cercomp.ufg.br/weby/up/459/o/pdf.pdf" alt="" width="21" height="21" /&gt;&lt;/a&gt;&lt;/span&gt;&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td&gt;
&lt;p&gt;Val&amp;eacute;ria Fabiane Braga Ferreira&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;IMAGEM E ARTE NA EDUCA&amp;Ccedil;&amp;Atilde;O DE ADULTOS: VER, FAZER, FALAR E REFLETIR NUM PROCESSO DE ALFABETIZA&amp;Ccedil;&amp;Atilde;O&lt;/p&gt;
&lt;/td&gt;
&lt;td align="center"&gt;&lt;span&gt;&lt;a href="//files.cercomp.ufg.br/weby/up/459/o/arquivo1.pdf" target="_blank"&gt;&lt;img src="//files.cercomp.ufg.br/weby/up/459/o/pdf.pdf" alt="" width="21" height="21" /&gt;&lt;/a&gt;&lt;/span&gt;&lt;/td&gt;
&lt;/tr&gt;
&lt;/tbody&gt;
&lt;/table&gt;
&lt;span&gt;Ano de defesa: 2005&lt;/span&gt;&lt;br /&gt;
&lt;table border="1" cellspacing="0" cellpadding="5"&gt;
&lt;tbody&gt;
&lt;tr&gt;
&lt;td width="35%" height="24"&gt;&lt;strong&gt;ALUNO&lt;/strong&gt;&lt;/td&gt;
&lt;td align="left"&gt;&lt;strong&gt;DISSERTA&amp;Ccedil;&amp;Atilde;O&lt;/strong&gt;&lt;/td&gt;
&lt;td align="center"&gt;&amp;nbsp;&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td&gt;
&lt;p&gt;Ana Lucia Siqueira de Oliveira Nunes&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;FESTAS E CELEBRA&amp;Ccedil;&amp;Otilde;ES: UM ESTUDO SOBRE VISUALIDADES DA ESCOLA&lt;/p&gt;
&lt;/td&gt;
&lt;td align="center"&gt;&lt;span&gt;&lt;a href="//files.cercomp.ufg.br/weby/up/459/o/arquivo1.pdf" target="_blank"&gt;&lt;img src="//files.cercomp.ufg.br/weby/up/459/o/pdf.pdf" alt="" width="21" height="21" /&gt;&lt;/a&gt;&lt;/span&gt;&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td&gt;
&lt;p&gt;Andr&amp;eacute;a Carla de Miranda Pita&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;(BOD)-Y-STERIA: PERFORMANCE, V&amp;Iacute;DEO-PERFORMANCE E CORPO HIST&amp;Eacute;RICO&lt;/p&gt;
&lt;/td&gt;
&lt;td align="center"&gt;&lt;span&gt;&lt;a href="//files.cercomp.ufg.br/weby/up/459/o/arquivo1.pdf" target="_blank"&gt;&lt;img src="//files.cercomp.ufg.br/weby/up/459/o/pdf.pdf" alt="" width="21" height="21" /&gt;&lt;/a&gt;&lt;/span&gt;&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td&gt;
&lt;p&gt;Cintia Guimaraes Santos Sousa&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;DOS TRAJETOS AOS LUGARES PARA REPOUSO DO CORPO&lt;/p&gt;
&lt;/td&gt;
&lt;td align="center"&gt;&lt;span&gt;&lt;a href="//files.cercomp.ufg.br/weby/up/459/o/arquivo1.pdf" target="_blank"&gt;&lt;img src="//files.cercomp.ufg.br/weby/up/459/o/pdf.pdf" alt="" width="21" height="21" /&gt;&lt;/a&gt;&lt;/span&gt;&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td&gt;
&lt;p&gt;J&amp;uacute;lio C&amp;eacute;sar Machado Ghiorzi&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;PINTURAS G&amp;Ecirc;MEAS PINTURA, IMPRESS&amp;Atilde;O, PINTURA&lt;/p&gt;
&lt;/td&gt;
&lt;td align="center"&gt;&lt;span&gt;&lt;a href="//files.cercomp.ufg.br/weby/up/459/o/arquivo1.pdf" target="_blank"&gt;&lt;img src="//files.cercomp.ufg.br/weby/up/459/o/pdf.pdf" alt="" width="21" height="21" /&gt;&lt;/a&gt;&lt;/span&gt;&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td&gt;
&lt;p&gt;Lara Moreira Alves&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;OS SIGNIFICADOS DE BRASILIA NA OBRA DO ARTISTA MILTON RIBEIRO&lt;/p&gt;
&lt;/td&gt;
&lt;td align="center"&gt;&lt;span&gt;&lt;a href="//files.cercomp.ufg.br/weby/up/459/o/arquivo1.pdf" target="_blank"&gt;&lt;img src="//files.cercomp.ufg.br/weby/up/459/o/pdf.pdf" alt="" width="21" height="21" /&gt;&lt;/a&gt;&lt;/span&gt;&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td&gt;
&lt;p&gt;Ludimilla Justino de Melo Vaz&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;MEM&amp;Oacute;RIA DA PEDRA TALHADA ARTE RUPESTRE EM NIQUEL&amp;Acirc;NDIA - GO&lt;/p&gt;
&lt;/td&gt;
&lt;td align="center"&gt;&lt;span&gt;&lt;a href="//files.cercomp.ufg.br/weby/up/459/o/arquivo1.pdf" target="_blank"&gt;&lt;img src="//files.cercomp.ufg.br/weby/up/459/o/pdf.pdf" alt="" width="21" height="21" /&gt;&lt;/a&gt;&lt;/span&gt;&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td&gt;
&lt;p&gt;Maria Cecilia Fittipaldi Vessani&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;OBJETOS PLUM&amp;Aacute;RIOS NA ARTE CONTEMPOR&amp;Acirc;NEA BRASILEIRA&lt;/p&gt;
&lt;/td&gt;
&lt;td align="center"&gt;&lt;span&gt;&lt;a href="//files.cercomp.ufg.br/weby/up/459/o/arquivo1.pdf" target="_blank"&gt;&lt;img src="//files.cercomp.ufg.br/weby/up/459/o/pdf.pdf" alt="" width="21" height="21" /&gt;&lt;/a&gt;&lt;/span&gt;&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td&gt;
&lt;p&gt;S&amp;aacute;lvio Juliano Peixoto Farias&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;GALERIA ABERTA: UMA HIST&amp;Oacute;RIA POR M&amp;Uacute;LTIPLOS ATORES&lt;/p&gt;
&lt;/td&gt;
&lt;td align="center"&gt;&lt;span&gt;&lt;a href="//files.cercomp.ufg.br/weby/up/459/o/arquivo1.pdf" target="_blank"&gt;&lt;img src="//files.cercomp.ufg.br/weby/up/459/o/pdf.pdf" alt="" width="21" height="21" /&gt;&lt;/a&gt;&lt;/span&gt;&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td&gt;
&lt;p&gt;Vanessa Tavares da Silva&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;LIVRO: FRAGMENTO, COTIDIANIDADE E INTERST&amp;Iacute;CIO&lt;/p&gt;
&lt;/td&gt;
&lt;td align="center"&gt;&lt;span&gt;&lt;a href="//files.cercomp.ufg.br/weby/up/459/o/arquivo1.pdf" target="_blank"&gt;&lt;img src="//files.cercomp.ufg.br/weby/up/459/o/pdf.pdf" alt="" width="21" height="21" /&gt;&lt;/a&gt;&lt;/span&gt;&lt;/td&gt;
&lt;/tr&gt;
&lt;/tbody&gt;
&lt;/table&gt;
&lt;/td&gt;
&lt;/tr&gt;
&lt;/tbody&gt;
&lt;/table&gt;</description>
      <pubDate>Fri, 17 Jan 2014 14:53:12 -0200</pubDate>
      <link>https://portalufg.cercomp.ufg.br/n/65811-dissertacoes</link>
      <guid>https://portalufg.cercomp.ufg.br/n/65811-dissertacoes</guid>
    </item>
    <item>
      <title>Notícia sobre a fauna goiana, principalmente sobre araras</title>
      <description>&lt;img width="200" alt="asd" title="asd" src="http://portalufg.cercomp.ufg.brhttps://files.cercomp.ufg.br/weby/up/456/o/%C3%8Dndice.jpeg?1382124660" /&gt;&lt;br/&gt;&lt;p&gt;Aenean tincidunt vulputate justo, id ultrices mi suscipit nec. Donec facilisis sem non tortor cursus, non volutpat urna placerat. Cras tempor sollicitudin urna, in volutpat risus egestas ut. Cras eu lectus nisi. Proin rutrum odio metus, sed lobortis nisl facilisis eget. Suspendisse aliquam dui vel erat tincidunt dapibus. Suspendisse potenti.Aenean tincidunt vulputate justo, id ultrices mi suscipit nec. Donec facilisis sem non tortor cursus, non volutpat urna placerat. Cras tempor sollicitudin urna, in volutpat risus egestas ut. Cras eu lectus nisi. Proin rutrum odio metus, sed lobortis nisl facilisis eget. Suspendisse aliquam dui vel erat tincidunt dapibus. Suspendisse potenti.&lt;/p&gt;&lt;br/&gt;&lt;p&gt;Aenean tincidunt vulputate justo, id ultrices mi suscipit nec. Donec facilisis sem non tortor cursus, non volutpat urna placerat. Cras tempor sollicitudin urna, in volutpat risus egestas ut. Cras eu lectus nisi. Proin rutrum odio metus, sed lobortis nisl facilisis eget. Suspendisse aliquam dui vel erat tincidunt dapibus. Suspendisse potenti.Aenean tincidunt vulputate justo, id ultrices mi suscipit nec. Donec facilisis sem non tortor cursus, non volutpat urna placerat. Cras tempor sollicitudin urna, in volutpat risus egestas ut. Cras eu lectus nisi. Proin rutrum odio metus, sed lobortis nisl facilisis eget. Suspendisse aliquam dui vel erat tincidunt dapibus. Suspendisse potenti.Aenean tincidunt vulputate justo, id ultrices mi suscipit nec. Donec facilisis sem non tortor cursus, non volutpat urna placerat. Cras tempor sollicitudin urna, in volutpat risus egestas ut. Cras eu lectus nisi. Proin rutrum odio metus, sed lobortis nisl facilisis eget. Suspendisse aliquam dui vel erat tincidunt dapibus. Suspendisse potenti.Aenean tincidunt vulputate justo, id ultrices mi suscipit nec. Donec facilisis sem non tortor cursus, non volutpat urna placerat. Cras tempor sollicitudin urna, in volutpat risus egestas ut. Cras eu lectus nisi. Proin rutrum odio metus, sed lobortis nisl facilisis eget. Suspendisse aliquam dui vel erat tincidunt dapibus. Suspendisse potenti.&lt;/p&gt;
&lt;p&gt;Aenean tincidunt vulputate justo, id ultrices mi suscipit nec. Donec facilisis sem non tortor cursus, non volutpat urna placerat. Cras tempor sollicitudin urna, in volutpat risus egestas ut. Cras eu lectus nisi. Proin rutrum odio metus, sed lobortis nisl facilisis eget. Suspendisse aliquam dui vel erat tincidunt dapibus. Suspendisse potenti.Aenean tincidunt vulputate justo, id ultrices mi suscipit nec. Donec facilisis sem non tortor cursus, non volutpat urna placerat. Cras tempor sollicitudin urna, in volutpat risus egestas ut. Cras eu lectus nisi. Proin rutrum odio metus, sed lobortis nisl facilisis eget. Suspendisse aliquam dui vel erat tincidunt dapibus. Suspendisse potenti.Aenean tincidunt vulputate justo, id ultrices mi suscipit nec. Donec facilisis sem non tortor cursus, non volutpat urna placerat. Cras tempor sollicitudin urna, in volutpat risus egestas ut. Cras eu lectus nisi. Proin rutrum odio metus, sed lobortis nisl facilisis eget. Suspendisse aliquam dui vel erat tincidunt dapibus. Suspendisse potenti.&lt;/p&gt;
&lt;p&gt;Aenean tincidunt vulputate justo, id ultrices mi suscipit nec. Donec facilisis sem non tortor cursus, non volutpat urna placerat. Cras tempor sollicitudin urna, in volutpat risus egestas ut. Cras eu lectus nisi. Proin rutrum odio metus, sed lobortis nisl facilisis eget. Suspendisse aliquam dui vel erat tincidunt dapibus. Suspendisse potenti.Aenean tincidunt vulputate justo, id ultrices mi suscipit nec. Donec facilisis sem non tortor cursus, non volutpat urna placerat. Cras tempor sollicitudin urna, in volutpat risus egestas ut. Cras eu lectus nisi. Proin rutrum odio metus, sed lobortis nisl facilisis eget. Suspendisse aliquam dui vel erat tincidunt dapibus. Suspendisse potenti.&lt;/p&gt;</description>
      <pubDate>Mon, 30 Sep 2013 14:06:29 -0300</pubDate>
      <link>https://portalufg.cercomp.ufg.br/n/50269-noticia-sobre-a-fauna-goiana-principalmente-sobre-araras</link>
      <guid>https://portalufg.cercomp.ufg.br/n/50269-noticia-sobre-a-fauna-goiana-principalmente-sobre-araras</guid>
      <enclosure url="https://files.cercomp.ufg.br/weby/up/456/o/font-plus.jpg?1379349385" length="448" type="image/jpeg"/>
    </item>
    <item>
      <title>(UH) Class aptent taciti sociosqu </title>
      <description>&lt;img width="200" alt="Edward" title="Edward" src="http://portalufg.cercomp.ufg.brhttps://files.cercomp.ufg.br/weby/up/456/o/5633188010_2f55a44f48.jpg?1380559909" /&gt;&lt;br/&gt;&lt;p&gt;Aenean tincidunt vulputate justo, id ultrices mi suscipit nec. Donec facilisis sem non tortor cursus, non volutpat urna placerat. Cras tempor sollicitudin urna, in volutpat risus egestas ut. Cras eu lectus nisi. Proin rutrum odio metus, sed lobortis nisl facilisis eget. Suspendisse aliquam dui vel erat tincidunt dapibus. Suspendisse potenti.&lt;/p&gt;&lt;br/&gt;&lt;p&gt;Lorem ipsum dolor sit amet, consectetur adipiscing elit. Cras nec egestas nibh. Lorem ipsum dolor sit amet, consectetur adipiscing elit. Suspendisse non dolor magna. Aliquam rhoncus eros sed nunc pretium, non viverra ante tempus. Curabitur felis elit, hendrerit non sodales ac, laoreet quis purus. Fusce ac lobortis tortor. Sed tristique, urna sit amet congue bibendum, enim nisi imperdiet purus, ornare consequat lorem nunc et leo.&lt;/p&gt;
&lt;p&gt;Mauris turpis arcu, commodo id elementum sit amet, euismod et mauris. Phasellus scelerisque quis purus et bibendum. Nulla lacinia sit amet elit in facilisis. Pellentesque egestas, tortor id venenatis egestas, augue lacus iaculis libero, nec imperdiet urna urna at enim. Sed nec tellus et justo hendrerit posuere sed vel turpis. Maecenas in leo convallis arcu pharetra faucibus et quis urna. Aliquam erat volutpat. Quisque suscipit nulla eget tellus aliquam, quis tincidunt tortor pulvinar.&lt;/p&gt;
&lt;p&gt;Nam quis auctor neque. Etiam purus nulla, consequat tincidunt elementum sed, ultrices et eros. Integer in varius sapien. Pellentesque rutrum quis odio sed fringilla. Quisque convallis pulvinar justo ut sodales. Nunc vel vehicula mauris. Mauris ultrices sagittis adipiscing. Sed interdum pharetra libero, ac facilisis odio laoreet eu.&lt;/p&gt;
&lt;p&gt;Aenean tincidunt vulputate justo, id ultrices mi suscipit nec. Donec facilisis sem non tortor cursus, non volutpat urna placerat. Cras tempor sollicitudin urna, in volutpat risus egestas ut. Cras eu lectus nisi. Proin rutrum odio metus, sed lobortis nisl facilisis eget. Suspendisse aliquam dui vel erat tincidunt dapibus. Suspendisse potenti.&lt;/p&gt;
&lt;p&gt;Class aptent taciti sociosqu ad litora torquent per conubia nostra, per inceptos himenaeos. Nulla ac varius quam. Nunc dictum sit amet risus sed fringilla. Donec iaculis orci risus. Integer condimentum tristique magna, a ornare mauris interdum at. Mauris vel rutrum sapien. Aliquam ut malesuada magna, vitae dapibus massa. Etiam venenatis, augue eu sagittis egestas, turpis nisl tincidunt mauris, id posuere dolor augue quis magna.&lt;/p&gt;</description>
      <pubDate>Mon, 30 Sep 2013 14:05:29 -0300</pubDate>
      <link>https://portalufg.cercomp.ufg.br/n/50268-uh-class-aptent-taciti-sociosqu</link>
      <guid>https://portalufg.cercomp.ufg.br/n/50268-uh-class-aptent-taciti-sociosqu</guid>
    </item>
    <item>
      <title>(UH) Class aptent taciti sociosqu a</title>
      <description>&lt;img width="200" alt="Goiânia" title="Goiânia" src="http://portalufg.cercomp.ufg.brhttps://files.cercomp.ufg.br/weby/up/456/o/DSCN1507.jpg?1382555212" /&gt;&lt;br/&gt;&lt;p&gt;Lorem ipsum dolor sit amet, consectetur adipiscing elit. Cras nec egestas nibh. Lorem ipsum dolor sit amet, consectetur adipiscing elit. Suspendisse non dolor magna. Aliquam rhoncus eros sed nunc pretium, non viverra ante tempus. Curabitur felis elit, hendrerit non sodales ac, laoreet quis purus. Fusce ac lobortis tortor. Sed tristique, urna sit amet congue bibendum, enim nisi imperdiet purus, ornare consequat lorem nunc et leo. Mauris turpis arcu, commodo id elementum sit amet, euismod et mauris. Phasellus scelerisque quis purus et bibendum. Nulla lacinia sit amet elit in facilisis. Pellentesque egestas, tortor id venenatis egestas, augue lacus iaculis libero, nec imperdiet urna urna at enim. Sed nec tellus et justo hendrerit posuere sed vel turpis. Maecenas in leo convallis arcu pharetra faucibus et quis urna. Aliquam erat volutpat. Quisque suscipit nulla eget tellus aliquam, quis tincidunt tortor pulvinar. Nam quis auctor neque. Etiam purus nulla, consequat tincidunt elementum sed, ultrices et eros. Integer in varius sapien. Pellentesque rutrum quis odio sed fringilla. Quisque convallis pulvinar justo ut sodales. Nunc vel vehicula mauris. Mauris ultrices sagittis adipiscing. Sed interdum pharetra libero, ac facilisis odio laoreet eu.&lt;/p&gt;
&lt;p&gt;Aenean tincidunt vulputate justo, id ultrices mi suscipit nec. Donec facilisis sem non tortor cursus, non volutpat urna placerat. Cras tempor sollicitudin urna, in volutpat risus egestas ut. Cras eu lectus nisi. Proin rutrum odio metus, sed lobortis nisl facilisis eget. Suspendisse aliquam dui vel erat tincidunt dapibus. Suspendisse potenti. Class aptent taciti sociosqu ad litora torquent per conubia nostra, per inceptos himenaeos. Nulla ac varius quam. Nunc dictum sit amet risus sed fringilla. Donec iaculis orci risus. Integer condimentum tristique magna, a ornare mauris interdum at. Mauris vel rutrum sapien. Aliquam ut malesuada magna, vitae dapibus massa. Etiam venenatis, augue eu sagittis egestas, turpis nisl tincidunt mauris, id posuere dolor augue quis magna.&lt;/p&gt;&lt;br/&gt;&lt;p&gt;&amp;nbsp;&lt;/p&gt;
&lt;p&gt;Lorem ipsum dolor sit amet, consectetur adipiscing elit. Cras nec egestas nibh. Lorem ipsum dolor sit amet, consectetur adipiscing elit. Suspendisse non dolor magna. Aliquam rhoncus eros sed nunc pretium, non viverra ante tempus. Curabitur felis elit, hendrerit non sodales ac, laoreet quis purus. Fusce ac lobortis tortor. Sed tristique, urna sit amet congue bibendum, enim nisi imperdiet purus, ornare consequat lorem nunc et leo.&lt;/p&gt;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;
&lt;p&gt;Mauris turpis arcu, commodo id elementum sit amet, euismod et mauris. Phasellus scelerisque quis purus et bibendum. Nulla lacinia sit amet elit in facilisis. Pellentesque egestas, tortor id venenatis egestas, augue lacus iaculis libero, nec imperdiet urna urna at enim. Sed nec tellus et justo hendrerit posuere sed vel turpis. Maecenas in leo convallis arcu pharetra faucibus et quis urna. Aliquam erat volutpat. Quisque suscipit nulla eget tellus aliquam, quis tincidunt tortor pulvinar.&lt;/p&gt;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;
&lt;p&gt;Nam quis auctor neque. Etiam purus nulla, consequat tincidunt elementum sed, ultrices et eros. Integer in varius sapien. Pellentesque rutrum quis odio sed fringilla. Quisque convallis pulvinar justo ut sodales. Nunc vel vehicula mauris. Mauris ultrices sagittis adipiscing. Sed interdum pharetra libero, ac facilisis odio laoreet eu.&lt;/p&gt;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;
&lt;p&gt;Aenean tincidunt vulputate justo, id ultrices mi suscipit nec. Donec facilisis sem non tortor cursus, non volutpat urna placerat. Cras tempor sollicitudin urna, in volutpat risus egestas ut. Cras eu lectus nisi. Proin rutrum odio metus, sed lobortis nisl facilisis eget. Suspendisse aliquam dui vel erat tincidunt dapibus. Suspendisse potenti.&lt;/p&gt;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;
&lt;p&gt;Class aptent taciti sociosqu ad litora torquent per conubia nostra, per inceptos himenaeos. Nulla ac varius quam. Nunc dictum sit amet risus sed fringilla. Donec iaculis orci risus. Integer condimentum tristique magna, a ornare mauris interdum at. Mauris vel rutrum sapien. Aliquam ut malesuada magna, vitae dapibus massa. Etiam venenatis, augue eu sagittis egestas, turpis nisl tincidunt mauris, id posuere dolor augue quis magna.&lt;/p&gt;
&lt;p&gt;&lt;a href="/"&gt;&amp;nbsp;&lt;/a&gt;&lt;/p&gt;</description>
      <pubDate>Mon, 30 Sep 2013 14:04:44 -0300</pubDate>
      <link>https://portalufg.cercomp.ufg.br/n/50267-uh-class-aptent-taciti-sociosqu-a</link>
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      <title>ED AC Nam quis auctor neque. </title>
      <description>&lt;br/&gt;&lt;p&gt;Nam quis auctor neque. Etiam purus nulla, consequat tincidunt elementum sed, ultrices et eros. Integer in varius sapien. Pellentesque rutrum quis odio sed fringilla. Quisque convallis pulvinar justo ut sodales. Nunc vel vehicula mauris. Mauris ultrices sagittis adipiscing. Sed interdum pharetra libero, ac facilisis odio laoreet eu.&lt;/p&gt;&lt;br/&gt;&lt;p&gt;&lt;span&gt;Nam quis auctor neque. Etiam purus nulla, consequat tincidunt elementum sed, ultrices et eros. Integer in varius sapien. Pellentesque rutrum quis odio sed fringilla. Quisque convallis pulvinar justo ut sodales. Nunc vel vehicula mauris. Mauris ultrices sagittis adipiscing. Sed interdum pharetra libero, ac facilisis odio laoreet eu.&lt;/span&gt;&lt;span&gt;Nam quis auctor neque. Etiam purus nulla, consequat tincidunt elementum sed, ultrices et eros. Integer in varius sapien. Pellentesque rutrum quis odio sed fringilla. Quisque convallis pulvinar justo ut sodales. Nunc vel vehicula mauris. Mauris ultrices sagittis adipiscing. Sed interdum pharetra libero, ac facilisis odio laoreet eu.&lt;/span&gt;&lt;span&gt;Nam quis auctor neque. Etiam purus nulla, consequat tincidunt elementum sed, ultrices et eros. Integer in varius sapien. Pellentesque rutrum quis odio sed fringilla. Quisque convallis pulvinar justo ut sodales. Nunc vel vehicula mauris. Mauris ultrices sagittis adipiscing. Sed interdum pharetra libero, ac facilisis odio laoreet eu.&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span&gt;&lt;span&gt;Nam quis auctor neque. Etiam purus nulla, consequat tincidunt elementum sed, ultrices et eros. Integer in varius sapien. Pellentesque rutrum quis odio sed fringilla. Quisque convallis pulvinar justo ut sodales. Nunc vel vehicula mauris. Mauris ultrices sagittis adipiscing. Sed interdum pharetra libero, ac facilisis odio laoreet eu.&lt;/span&gt;&lt;span&gt;Nam quis auctor neque. Etiam purus nulla, consequat tincidunt elementum sed, ultrices et eros. Integer in varius sapien. Pellentesque rutrum quis odio sed fringilla. Quisque convallis pulvinar justo ut sodales. Nunc vel vehicula mauris. Mauris ultrices sagittis adipiscing. Sed interdum pharetra libero, ac facilisis odio laoreet eu.&lt;/span&gt;&lt;span&gt;Nam quis auctor neque. Etiam purus nulla, consequat tincidunt elementum sed, ultrices et eros. Integer in varius sapien. Pellentesque rutrum quis odio sed fringilla. Quisque convallis pulvinar justo ut sodales. Nunc vel vehicula mauris. Mauris ultrices sagittis adipiscing. Sed interdum pharetra libero, ac facilisis odio laoreet eu.&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span&gt;&lt;span&gt;Nam quis auctor neque. Etiam purus nulla, consequat tincidunt elementum sed, ultrices et eros. Integer in varius sapien. Pellentesque rutrum quis odio sed fringilla. Quisque convallis pulvinar justo ut sodales. Nunc vel vehicula mauris. Mauris ultrices sagittis adipiscing. Sed interdum pharetra libero, ac facilisis odio laoreet eu.&lt;/span&gt;&lt;span&gt;Nam quis auctor neque. Etiam purus nulla, consequat tincidunt elementum sed, ultrices et eros. Integer in varius sapien. Pellentesque rutrum quis odio sed fringilla. Quisque convallis pulvinar justo ut sodales. Nunc vel vehicula mauris. Mauris ultrices sagittis adipiscing. Sed interdum pharetra libero, ac facilisis odio laoreet eu.&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;</description>
      <pubDate>Mon, 30 Sep 2013 13:54:31 -0300</pubDate>
      <link>https://portalufg.cercomp.ufg.br/n/50263-ed-ac-nam-quis-auctor-neque</link>
      <guid>https://portalufg.cercomp.ufg.br/n/50263-ed-ac-nam-quis-auctor-neque</guid>
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    <item>
      <title>ED Nam quis auctor neque. </title>
      <description>&lt;br/&gt;&lt;p&gt;&lt;span style="font-size: 11px; line-height: 18px;"&gt;Nam quis auctor neque. Etiam purus nulla, consequat tincidunt elementum sed, ultrices et eros. Integer in varius sapien. Pellentesque rutrum quis odio sed fringilla. Quisque convallis pulvinar justo ut sodales. Nunc vel vehicula mauris. Mauris ultrices sagittis adipiscing. Sed interdum pharetra libero, ac facilisis odio laoreet eu.&lt;/span&gt;&lt;/p&gt;&lt;br/&gt;&lt;p&gt;&lt;span&gt;Nam quis auctor neque. Etiam purus nulla, consequat tincidunt elementum sed, ultrices et eros. Integer in varius sapien. Pellentesque rutrum quis odio sed fringilla. Quisque convallis pulvinar justo ut sodales. Nunc vel vehicula mauris. Mauris ultrices sagittis adipiscing. Sed interdum pharetra libero, ac facilisis odio laoreet eu.&lt;/span&gt;&lt;span&gt;Nam quis auctor neque. Etiam purus nulla, consequat tincidunt elementum sed, ultrices et eros. Integer in varius sapien. Pellentesque rutrum quis odio sed fringilla. Quisque convallis pulvinar justo ut sodales. Nunc vel vehicula mauris. Mauris ultrices sagittis adipiscing. Sed interdum pharetra libero, ac facilisis odio laoreet eu.&lt;/span&gt;&lt;span&gt;Nam quis auctor neque. Etiam purus nulla, consequat tincidunt elementum sed, ultrices et eros. Integer in varius sapien. Pellentesque rutrum quis odio sed fringilla. Quisque convallis pulvinar justo ut sodales. Nunc vel vehicula mauris. Mauris ultrices sagittis adipiscing. Sed interdum pharetra libero, ac facilisis odio laoreet eu.&lt;/span&gt;&lt;span&gt;Nam quis auctor neque. Etiam purus nulla, consequat tincidunt elementum sed, ultrices et eros. Integer in varius sapien. Pellentesque rutrum quis odio sed fringilla. Quisque convallis pulvinar justo ut sodales. Nunc vel vehicula mauris. Mauris ultrices sagittis adipiscing. Sed interdum pharetra libero, ac facilisis odio laoreet eu.&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span&gt;&lt;span&gt;Nam quis auctor neque. Etiam purus nulla, consequat tincidunt elementum sed, ultrices et eros. Integer in varius sapien. Pellentesque rutrum quis odio sed fringilla. Quisque convallis pulvinar justo ut sodales. Nunc vel vehicula mauris. Mauris ultrices sagittis adipiscing. Sed interdum pharetra libero, ac facilisis odio laoreet eu.&lt;/span&gt;&lt;span&gt;Nam quis auctor neque. Etiam purus nulla, consequat tincidunt elementum sed, ultrices et eros. Integer in varius sapien. Pellentesque rutrum quis odio sed fringilla. Quisque convallis pulvinar justo ut sodales. Nunc vel vehicula mauris. Mauris ultrices sagittis adipiscing. Sed interdum pharetra libero, ac facilisis odio laoreet eu.&lt;/span&gt;&lt;span&gt;Nam quis auctor neque. Etiam purus nulla, consequat tincidunt elementum sed, ultrices et eros. Integer in varius sapien. Pellentesque rutrum quis odio sed fringilla. Quisque convallis pulvinar justo ut sodales. Nunc vel vehicula mauris. Mauris ultrices sagittis adipiscing. Sed interdum pharetra libero, ac facilisis odio laoreet eu.&lt;/span&gt;&lt;span&gt;Nam quis auctor neque. Etiam purus nulla, consequat tincidunt elementum sed, ultrices et eros. Integer in varius sapien. Pellentesque rutrum quis odio sed fringilla. Quisque convallis pulvinar justo ut sodales. Nunc vel vehicula mauris. Mauris ultrices sagittis adipiscing. Sed interdum pharetra libero, ac facilisis odio laoreet eu.&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span&gt;&lt;span&gt;Nam quis auctor neque. Etiam purus nulla, consequat tincidunt elementum sed, ultrices et eros. Integer in varius sapien. Pellentesque rutrum quis odio sed fringilla. Quisque convallis pulvinar justo ut sodales. Nunc vel vehicula mauris. Mauris ultrices sagittis adipiscing. Sed interdum pharetra libero, ac facilisis odio laoreet eu.&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;</description>
      <pubDate>Mon, 30 Sep 2013 13:53:19 -0300</pubDate>
      <link>https://portalufg.cercomp.ufg.br/n/50262-ed-nam-quis-auctor-neque</link>
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      <title>Nam quis auctor neque.</title>
      <description>&lt;br/&gt;&lt;p&gt;Nam quis auctor neque. Etiam purus nulla, consequat tincidunt elementum sed, ultrices et eros. Integer in varius sapien. Pellentesque rutrum quis odio sed fringilla. Quisque convallis pulvinar justo ut sodales. Nunc vel vehicula mauris. Mauris ultrices sagittis adipiscing. Sed interdum pharetra libero, ac facilisis odio laoreet eu.&lt;/p&gt;&lt;br/&gt;&lt;p&gt;&lt;span&gt;Nam quis auctor neque. Etiam purus nulla, consequat tincidunt elementum sed, ultrices et eros. Integer in varius sapien. Pellentesque rutrum quis odio sed fringilla. Quisque convallis pulvinar justo ut sodales. Nunc vel vehicula mauris. Mauris ultrices sagittis adipiscing. Sed interdum pharetra libero, ac facilisis odio laoreet eu.&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span&gt;&lt;span&gt;Nam quis auctor neque. Etiam purus nulla, consequat tincidunt elementum sed, ultrices et eros. Integer in varius sapien. Pellentesque rutrum quis odio sed fringilla. Quisque convallis pulvinar justo ut sodales. Nunc vel vehicula mauris. Mauris ultrices sagittis adipiscing. Sed interdum pharetra libero, ac facilisis odio laoreet eu.&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span&gt;&lt;span&gt;Nam quis auctor neque. Etiam purus nulla, consequat tincidunt elementum sed, ultrices et eros. Integer in varius sapien. Pellentesque rutrum quis odio sed fringilla. Quisque convallis pulvinar justo ut sodales. Nunc vel vehicula mauris. Mauris ultrices sagittis adipiscing. Sed interdum pharetra libero, ac facilisis odio laoreet eu.&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span&gt;&lt;span&gt;Nam quis auctor neque. Etiam purus nulla, consequat tincidunt elementum sed, ultrices et eros. Integer in varius sapien. Pellentesque rutrum quis odio sed fringilla. Quisque convallis pulvinar justo ut sodales. Nunc vel vehicula mauris. Mauris ultrices sagittis adipiscing. Sed interdum pharetra libero, ac facilisis odio laoreet eu.&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span&gt;&lt;span&gt;Nam quis auctor neque. Etiam purus nulla, consequat tincidunt elementum sed, ultrices et eros. Integer in varius sapien. Pellentesque rutrum quis odio sed fringilla. Quisque convallis pulvinar justo ut sodales. Nunc vel vehicula mauris. Mauris ultrices sagittis adipiscing. Sed interdum pharetra libero, ac facilisis odio laoreet eu.&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;</description>
      <pubDate>Mon, 30 Sep 2013 13:52:37 -0300</pubDate>
      <link>https://portalufg.cercomp.ufg.br/n/50261-nam-quis-auctor-neque</link>
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